Art
Robert Grosvenor and the Anonymous Laborer
I don’t know Robert Grosvenor, and I have never heard him give a talk, but years ago he made a huge impression on me.
Art
I don’t know Robert Grosvenor, and I have never heard him give a talk, but years ago he made a huge impression on me.
Art
Poetry has never been more of a hackneyed product — from tiresome MFA hybrid poems to stale derivations of pop/Net conceptualism to the New New New York School, always proclaiming that its linking of art, gay male cosmopolitanism, and poetics is “new.”
Art
Much has been seen of the American artist Alexander “Sandy” Calder (1898–1976). And much has been said. Despite the perpetual relevance and freshness of Calder’s art, it is hard to speak about him without descending into cliché-land.
Art
Discovering Japanese Art: American Collectors and the Met is the unsexy title of a luxuriantly sensual exhibit that speaks with uncanny precision to our post-postmodern moment.
Performance
Ann Liv Young, a performance artist widely known for reinterpreting fairy tales with an edge, has reinvented Elektra.
Art
BIRMINGHAM, Alabama — “I’d be OK with someone rolling up my work and smoking it,” laughs artist Taravat Talepasand on the eve of her opening at Beta Pictoris Gallery in Birmingham, Alabama.
Art
HONG KONG — In the book accompanying her late husband’s retrospective, Tong Chiu Wai-yee says: “When people talk about Tong King-sum, they focus on his flawed body alongside his artistic achievement."
Books
Reviewing erotica is a difficult task, and maybe a futile one.
Performance
Clouds, shadows, and other mirrors of the soul have long led protagonists into temptation in order to deliver audiences from evil.
Art
In Colonial Arrangements, a site-specific exhibition in partnership with the Historic House Trust, UK-born Nigerian artist Yinka Shonibare MBE conjures Eliza Jumel's specter with headless mannequins clothed in Dutch wax fabric.
Art
As an Asian boy growing up middle-class in America, I was taught assimilation was key.
Art
LONDON — Hexenmeister, AA Bronson’s first solo show at Maureen Paley, calls to mind his recent House of Shame at the Gwangju Biennial, featuring Bronson’s particular combination of queer themes and shamanic practices.