Art
The Prescient Politics of a Seminal Conceptual Photographer
Nearly a decade after his death in 2013, Phel Steinmetz’s attention to the effects of capitalism on the environment can be recognized as both political and prescient.
Art
Nearly a decade after his death in 2013, Phel Steinmetz’s attention to the effects of capitalism on the environment can be recognized as both political and prescient.
Art
Kaufman's sculptures can go from orderly to helter-skelter, making them seem like willful renegades from an industrial assembly line.
Art
The Port of Long Beach Recordings is a soundtrack to the globe's hunger for commodities, the ever-expanding growth of imported products, and the enormous system of infrastructure still insufficient to process it all.
Art
When prints are exhibited, the printer is generally not credited as co-creator of the work and often the print publisher or workshop is not named.
Film
After Yang merges director Kogonada's fastidious attention to form with a rare empathy for the insecurity of the human condition, especially within the nuclear unit.
Film
Married volcanologists Katia and Maurice Krafft took incredible footage of eruptions. Sara Dosa’s documentary uses it to tell their unusual love story.
Art
Sama Alshaibi’s Four Series draws on historical sources, contexts, and techniques to articulate the definitions and exploitations of freedom.
Art
Popular perceptions of van Gogh are often preoccupied with heart-wrenching accounts of mental illness, but Van Gogh: Self Portraits avoids speculative psychoanalytic readings of one tortured face after another.
Art
A vigorous advocate for the avant-garde, the filmmaker often neglected to promote himself.
Art
Thomson's videos conjure up the weird sublimity of internet wormholes, the familiar, swaddling mindlessness of allowing oneself to be swept up in a deluge of content and carried — where?
Art
Osman’s care for and attention to his modest materials, the particularities of their identity, is rare in a society where excess is celebrated daily.
Art
The capacity to reside in joy and terror in equal measure gives Sora's paintings their unsettling power, a brutal acknowledgment that creation coexists with destruction.