Art Review
Bruce Nauman Asks if Art Can Exist Without a Viewer
His art cuts to the core of our engagement with art past and present, looking at foundational interactions between viewers, art objects, and art institutions.
Art Review
His art cuts to the core of our engagement with art past and present, looking at foundational interactions between viewers, art objects, and art institutions.
Art Review
This exhibition of works from the Neumann family collection takes a unique approach, bringing University of Pennsylvania art students into the curatorial process.
Art Review
The artist’s bioart habitats eerily reflect human environments where sociopolitical and socioeconomic cultural conditions force the illusion of standardization as a natural state.
Art Review
Purdum’s layered and scraped-away paintings may resemble aspects of the natural world but they allude to an experience beyond language.
Art Review
Exposure at Ulterior Gallery might not offer the quick answers our ever-shrinking attention spans demand, but much in this show is worth a second view.
Art Review
The injunction of a group show centered around the multivalent flower is to wander the field and pluck what suits you.
Art Review
Through abstraction and nonlinearity, Holman invests in cinematic practices that unseat “spectacle” as the prominent mode of Black representation.
Art Review
An exhibition showcases the sophisticated cultural language developed in the Indian subcontinent from around 1560 to 1660 across the reign of three emperors.
Art
While other Bay Area spaces have silenced Palestinian artists or remained silent themselves, a show at SOMArts Cultural Center asks visitors to take a stand.
Art Review
In A Head Full of Planets, Madalena Santos Reinbolt’s art celebrates her own identity and homeland, despite her marginalized status as a Black woman from rural Brazil.
Art Review
As the US government expunges identities through words and names, the artists’ online archive of videos proposes that holding onto these moments is a powerful political act.
Art Review
David Kennedy Cutler captures a time in which image has fully metastasized into reality — a mediated world where everything is always on and calling for you.