Art
Lorraine O’Grady’s First Retrospective Is Both Invigorating and Overdue
O’Grady’s rebellious spirit has roused the mainstream art world for close to 50 years, and her latest exhibition at the Brooklyn Museum is no exception.
Art
O’Grady’s rebellious spirit has roused the mainstream art world for close to 50 years, and her latest exhibition at the Brooklyn Museum is no exception.
Books
In Fierce Poise, the paternalistic attitude toward Frankenthaler undermines both the author’s gifts and the artist’s.
Art
Playful and satiric, Thank You For The Nice Fire never takes itself too seriously.
Art
Each canvas follows its own off-beat rhythm.
Art
Sarah Cain’s colorful abstractions delight with their blurring of boundaries but her latest installation falls short of its site-specific aims.
Art
Izumi Kato’s exhibition at Perrotin dispatches us to long-forgotten realms of childhood, when the world was full of benign, sinister, weird, and mysterious beings.
Art
No matter how optical a color may become, our experience of it is — to state the obvious — visceral.
Art
Jane Irish’s work offers an archive of painterly traditions juxtaposed with horrific acts of violence driven by the moneyed class.
Books
Flipping through Seth Siegelaub’s collection of writings and interviews is a bit like diving into an archive without a finding aid, as exhilarating as it is overwhelming.
Books
The linguistic imagination of William Fuller’s new collection, Daybreak, takes the form of sustained odysseys between philosophical abstraction and the everyday concrete.
Art
The graphite floor map can be understood as a post-apocalyptic landscape, a commentary on artistic labor, or a parable about COVID-era confinement.
Film
Wojnarowicz features selections from hundreds of hours of personal recordings the artist left behind after his 1992 death.