Art
After More Than 20 Years, Kate Hargrave Lets Her Paintings Leave the Nest
The artist's new exhibition, her first since graduating from art school in the early aughts, reveals her deep love of art history.
Reviews
Art
Re-evaluating the Guerrilla Girls for Today’s Politics
A mini-retrospective of the feminist collective raises the question: What can be learned from this work that applies to today, and is this an effective method of making change?
Art
The Biting Satire of Eleanor Antin's Photography
Antin deconstructs both the self and the image as fraught in her staged photographs, and the results are less a punchline than a biting satire.
Art
Etel Adnan Captured the Light of Many Suns
An artist and poet who traversed multiple cultures, Adnan’s creations are alive with both multiplicity and instability.
Book Review
Relational Art in the Time of Tech Oligarchy
In a convulsing world with dwindling digital spaces for connection, can Relational Art offer lessons on building community and meaning?
Book Review
Scheming Dealers, Auction House Collusion, Pub Gossip, Oh My!
A new book spills the tea on the 20th-century London art scene.
Art
Not All Superheroes Wear Capes, Some Don Gorilla Masks
This one-room exhibition is a good reminder of how this anonymous group of artists changed how we saw the art world.
Art
Lubaina Himid Asks Who Gets a Seat at the Table
Those empowered to supervise large swaths of humanity too often dehumanize us, whether through the levers of state, financial, or political power.
Art
What Comes After the End?
John Divola asks us: What am I looking at? Is it real? Where does that distinction now lie, given the technology required to make a photograph now?
Art
Alexis Trice’s Pearls of Longing
In the New York painter’s lyrical scenes, the pearl serves as a metaphor for turning pain into treasure.
Book Review
An Exhibition of Non-Existent Books
It’s clear that this exhibition was put together by a bunch of absolute nerds — and that’s a compliment of the highest order.
Art
Judith Bernstein Warns Us: Never Again!
That Bernstein’s political art is still so relevant is chilling, but like the first time around, it remains a source of comfort that we have her to lead us through.