Art
An Intergenerational Conversation Between Black Women Artists
DON’T YOU MISS US? honors the trailblazing women who paved the way, underscoring the ongoing dialogue between past and present artistic expressions.
Reviews
Art
The Fury and Failings of a Nicole Eisenman Survey
En masse, Eisenman's paintings feel weighty and overwrought, as if too many ideas had become tangled and sucked up all the air, like a one-way conversation.
Art
Tamuna Sirbiladze’s Visions of Wrenching Intimacy
In Not Cool but Compelling, the artist's works churn with the turmoil of life, like emotions sketched in real time.
Art
How Hair Weaves Us Together
Styling Identities pushes the boundaries of museum display to incorporate local communities and global art through the theme of hair.
Art
The Winking Irony of “Ecological” Luxury
The Haas Brothers’ witty functional sculptures alluding to ecology proffer an environment that is knowingly — and laughably — unrealistic.
Art
Queerness and Nature Intersect at Wave Hill
Two shows cast a critical eye on our fantasy of nature as it crashes up against the realities of the world we humans have created.
Film
When the US Left Afghanistan, This Filmmaker Entered
Director Ibrahim Nash’at spent a year watching the Taliban transition from insurgency back to governance.
Film
Verbatim Reenacts Life With a Twist
The film series showcases how different artists have used reenactments, preserving dialogue and audio but playing with every other element.
Books
Esther Pressoir Is the Coolest Artist You’ve Never Heard Of
In 1927, Pressoir carried 30 pounds of art-making supplies on a bike ride from France to Italy. It was just the beginning of an inimitable artistic journey.
Books
Why Is It So Easy to Buy a Human Skull Online?
Damien Huffer and Shawn Graham’s These Were People Once mines the illicit online sale of human remains and the social media algorithms that enable it.
Art
How Commercial Photography Sold Modernism
The Real Thing at the Met Museum shows that the advertising tactics of commercial studios were in dialogue with avant-garde art in the 1920 and ’30s.
Art
Fritz Scholder’s Art of Non-Belonging
Scholder, who called himself a "non-Indian Indian," refused to conform to expectations and rejected limiting definitions of his identity as Native American.