Art
Will Someone Please Give Ellen Berkenblit a Museum Show Already?
It is as if each of Berkenblit's distinctive works is an isolated, oversized panel from an unknown cartoon strip: we have no idea what happened before or what will happen next.
Art
It is as if each of Berkenblit's distinctive works is an isolated, oversized panel from an unknown cartoon strip: we have no idea what happened before or what will happen next.
Art
The driving force behind Peder Balke’s painting is his desire to harness paint’s capacious materiality, from impasto to liquidity, to evoke the changing, often tumultuous physicality of his subject matter.
Art
East of the Mississippi highlights how early photographic efforts homed in on Americans’ leisure pursuits, particularly travel to popular getaway spots such as Niagara Falls and New England’s White Mountains.
Art
Wagner’s method is as straightforward as it is mind-bogglingly precise, so much so that it took a great deal of close scrutiny to fully grasp exactly what she is doing.
Books
Surveying almost 6,500 American campgrounds through their online reservation sites, Martin Hogue mapped the small differences and mass uniformity of this distinct landscape.
Art
The latest issue of Aperture focuses on Africa and features strong, colorful images by the Kenyan photographer Mimi Cherono Ng’ok.
Art
In his first solo show, Franck Lundangi uses mystical imagery to portray links between humans and nature.
Art
Originally made for the 2007 Venice Biennale, the artist's "Maypole: Take No Prisoners" manifests the spectacle of violence and war.
Art
Invisible Man, a group show at Martos Gallery curated by Ebony L. Haynes, gathers works by four artists that subtly call attention to embodied experience and the histories embedded in utilitarian objects.
Art
In his new show at Sean Kelly Gallery, the artist has begun to create a register of contemporary black visual artists.
Books
Winnebago Graveyard takes readers from a carnival freak show to a hallucinatory black mass.
Books
The architects of our great landmarks are often buried beneath the humblest of tombstones, or have no marker at all.