Art
Hanne Darboven Reflects the Infinite Feeling of History
The artist's “Kulturegeschichte 1880–1983” ("Cultural History 1880–1983") is a seemingly endless archive that renders the viewer mute.
Art
The artist's “Kulturegeschichte 1880–1983” ("Cultural History 1880–1983") is a seemingly endless archive that renders the viewer mute.
Art
The curator for the third edition of India's first art biennial, Sudarshan Shetty, has brought together some strong works that don't resonate with each other in any way.
Art
Harnessing the Power of the Criminal Corpse is an online exhibition that unearths the macabre history of anatomy and criminal punishment.
Books
Phillipe Soupault delights in humanizing the celebrated with intimate particularization and paeanizing the obscure with encomium.
Art
Last month, I participated in Shaun Leonardo’s "I Can't Breathe," a public, participatory workshop and performance that takes the form of a self-defense class.
Art
The ability of the Vancouver Art Gallery to maintain its commitment to local artists will be the true test of the triennial’s success.
Art
Jordan Kasey's painted figures, lit with mysterious, colored light, have the monumentality of Picasso’s Neo-classical period and are as ponderous as whales gliding through the ocean.
Art
Cultural Codex invites anyone to contribute stories and experiences that record aspects of indigenous cultures they want to celebrate.
Art
Other fairs prune and primp their art for maximum market efficiency; Spring/Break allows curators and artists to let their freak flags fly.
Art
The show at Kerry Schuss Gallery focuses on the later years of Ray Hamilton’s 14-year art career, the time period that he worked after suffering a serious stroke in 1990.
Books
Esther Crain's book The Gilded Age in New York, 1870–1910 chronicles the rise of the NYC metropolis and the roots of its role as an international cultural center.
Books
Marjorie Welish’s poetry, like Thelonious Monk’s music, is a montage of moving parts in which you’d be wise to expect the unexpected.