Performance
An Operatic Lament for the Lonely Artist
"When we meet the very best, we have to give up," baritone Rod Gilfry intoned in The Loser, composer David Lang's one-act opera that debuted last week at the Brooklyn Academy of Music (BAM).
Performance
"When we meet the very best, we have to give up," baritone Rod Gilfry intoned in The Loser, composer David Lang's one-act opera that debuted last week at the Brooklyn Academy of Music (BAM).
Art
DETROIT — The history of the former municipality of Fairview is written in its streets.
Art
What is a DJ? Maybe you can get to an answer by understanding where the DJ is — that pivot point, that hub around which we as dancers oscillate, in the orbit of the music the DJ arranges and organizes.
Art
PORTLAND, Oregon — “Now, you’re dead inside,” the gallery assistant said.
Books
There were two prominent types of landscape photographs in the 1860s: Civil War battlefields strewn with the dead, and sweeping vistas of the West.
Art
NÎMES, France — Ugo Rondinone’s zombie nature show Becoming Soil is an unintentional reminder that the terrifying Anthropocene age — when the human influence on Earth’s soil has been so profound it will leave its destructive legacy for millennia — is upon us.
Books
The Minnesota Multiphasic Personality Inventory (MMPI), a psychological test first published in 1943, doubles as an excellent poem.
Art
BOSTON — Paul Ramirez Jonas has challenged the idea of public space — and how it is demarcated from the private — throughout his 25-five year career of making highly formal participatory work.
Art
MONTRÉAL — At sunset in the oldest streets of Montréal, ghosts of the city's past animate on its walls.
Books
The writings of Karl Marx will always remain a source of insight and inspiration, but vast swaths of the Marxist literature that exerted such a fascination when I was younger now seem barren of interest.
Books
What do you do, if you are a poet who has never “ been comfortable with autobiographical material?” Monica Youn’s poems brim with answers to this question that a younger poet might do well to notice.
Art
I have been doing my best to follow Marilyn Lerner ever since I reviewed her exhibition at John Good for Artforum (May 1989).