Art
From Ancient Forms, an Artist Shapes a New Lexicon
SHARJAH, United Arab Emirates — Simone Fattal’s ancient-looking artifacts beckon from afar.
Art
SHARJAH, United Arab Emirates — Simone Fattal’s ancient-looking artifacts beckon from afar.
Art
WASHINGTON, DC — Science fiction rose to prominence in the 19th and early 20th centuries, when authors like H. G. Wells, Jules Verne, and Mary Shelley imagined the extraordinary possibilities of advances in technology and exploration.
Art
DETROIT — Sometimes Minimalist artworks fit so perfectly into a market for objects featured in Dwell magazine spreads that one has to wonder if there is actually anything going on below their surface. But in the case of a new body of work by Brazilian artist Simone DeSousa, there is.
Art
Julieta Aranda’s latest work on view at the James Fuentes gallery, has the patina of social significance and discernment.
Books
Even while major Brutalist structures face preservation issues — like Marcel Breuer's Central Library in Atlanta, whose fate is being decided now — the aesthetic of these concrete-based buildings continues to gain in popularity.
Art
CHICAGO — Confessions of an arts writer: my background is in theater design.
Art
MOSCOW — There’s no hopelessness in Pavel Pepperstein’s work, no abandonment; there’s only laughter: the final laughter of those who have very little to protect them from the world.
Books
For the past two years, we've been following the strange saga of criminalized Japanese "vagina artist" Megumi Igarishi.
Art
Decked out in red factory overalls, László Moholy-Nagy cut a striking figure of an avant-garde utopian during his time teaching at the Bauhaus in Dessau from 1923 to 1928.
Art
PHNOM PENH, Cambodia — The mapping and the drawing borders has been an especially violent and contested activity here for centuries.
Art
MOSCOW — If you were to go only by the types of exhibitions you see in Moscow galleries, you would get only a partial view of what’s happening in art in Russia.
Books
We think the canon of American art of the 1940s and ‘50s is set in stone, but we’ve got a lot of looking still to do.