Art
The Seduction of Inscrutable, Shrouded Paintings
I find it easy to get lost in a painting by Alex Dodge even if I'm not entirely certain what the subject matter is.
Art
I find it easy to get lost in a painting by Alex Dodge even if I'm not entirely certain what the subject matter is.
Books
Whitechapel Gallery and the MIT Press recently published Queer, the latest addition to Documents of Contemporary Art, a popular series of anthologies on major themes and ideas in contemporary art.
Art
As the sounds of a storm fill the gallery, the illuminated caravan begins to clatter with life.
Art
SAN FRANCISCO — There’s something deliciously subversive about an old-guard, establishment art gallery mounting an adamantly low-tech, analogue art show that celebrates dysfunction, messiness, and thwarted purpose, and doing it at the vortex of an industry that fetishizes streamlined, enhanced, digi
Art
PARIS — An uplifting yet melancholy poetry pervades Ken Matsubara’s show at Galerie Eric Mouchet, Hou-Chou, Releasing Birds, through the flickering of endlessly looped moving images that suggest shadowy ghosts.
Art
Van Dyck: The Anatomy of Portraiture, currently at the Frick Collection, provides a window onto how the premier Baroque portrait style came together in the busy studio of a gifted, if short-lived, painter.
Art
"If you want to stain me, come to 2689 Santa Fresca Blvd." So reads the sext I have just received from BeautifullyStained, a staircase with a wooden railing that was, indeed, beautifully stained.
Books
Natural history storerooms are a bit like drowned Noah's Arks, with specimens from every realm of the animal world posthumously preserved.
Art
DETROIT — Object-oriented ontology suggests that inanimate objects have lives and wider spheres of experience than the ways in which they relate to humans.
Art
The idea of capturing something in photography before it disappears dates back almost to the dawn of the medium.
Art
PARIS — Scattered throughout the cavernous nave of the Grand Palais are mountains of shipping containers.
Books
Cards on the table: I prefer short poems to long ones, slender bodies of work to massive ones. So naturally, I consider the best way to read poetry is not in a book, but in a chapbook.