Art
CHICAGO — The Center for Book and Paper Arts in Chicago is currently showing a fascinating series of collaborations between visual artists and writers such as Robert Creeley, Philip Guston, Larry Rivers, Karen Randall and Jim Dine. Poems and Pictures: A Renaissance in the Art of the Book (1946-1981)
Art
With the hype surrounding the Cindy Sherman blockbuster retrospective on the 6th floor, which critics have almost unanimously praised, I was surprised to find that the most invigorating, exciting and generally mind-blowing exhibition at MoMA right now is Exquisite Corpses.
Books
Do children's toys breed a culture of violence and war? This was one of the many questions you're left to ponder when reading Miniscule Blue Helmets on a Massive Quest by Dutch artist Pierre Derks.
Art
The paintings of Lauren Luloff have always been as much concerned with finding the way of their making as they have been with the final result. This emphasis on an openness of process is at the core of everything she does.
Art
Speechless is an evolving series that reviews, discusses and/or comments on art works and exhibitions using images, screenshots, videos and other visuals.
Art
Franklin Parrasch Gallery’s exhibition Rita Ackermann + Philip Guston is the third in a series of two-artist, cross-generational shows. Included in this show are two works on paper by Guston (dating from 1966 and 1971), and a new painting by Ackermann (2012).
Art
This week I had the opportunity to check out the newest exhibition at Brennan and Griffin Gallery, "Guy Goodwin: Recent Works." It’s one of those exhibitions you feel good about from the moment you enter the room.
Books
My favorite shelf in the home library is where Raymond Roussel, the Comte de Lautréamont, E.T. A. Hoffmann, Leonora Carrington and other writers form a brilliant phalanx of eccentricity and marvel. I turn to it like a five-hour energy drink, sampling a few pages of, say, Raymond Queneau or Heinrich
Art
It’s unlikely, half a century from now, that a shadow oeuvre will appear among the personal effects of many contemporary artists, a secret body of work that parallels or even exceeds their public output. This is what happened with the Dutch painter George Hendrik Breitner (1857–1923), whose several
Art
Dr. Frankenstein’s monster, as discussed in last week’s post, was assembled out of discarded body parts — an exhumed limb here, a torso there — with everything “awkwardly sewn into a corporeal pastiche.”
Art
Studio 371 is a new gallery in downtown Jersey City. With more than 3,500 square feet, lots of natural light and raw aesthetics, the space is ideal for a range of work, including large installations and performances. The current show, Kyllä Kyllä, features the work of artists Trevor Amery and Kathry
Books
Photographer and photojournalist Alex MacNaughton’s latest book titled London Tattoos, is a lighthearted book of portraits featuring Londoners and their tattoos. Shooting his portraits in the studio against a neutral white background, reminiscent of white gallery walls, MacNaughton treats tattoos, a