Art
The Dundas Street façade of Toronto’s Art Gallery of Ontario has been overtaken by a massive block-long banner created by propaganda-inspired artist Barbara Kruger. Titled “Untitled (It)” (2010), the block-long Kruger feels polite and subdued — two words, strangely, often used to describe the city o
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Organized in collaboration with Paterson Arts Council, Lambert's Escape From New York exhibition includes work by 43 top contemporary New York artists. The artists include such 2010 Whitney Biennial talents as Bruce High Quality Foundation and Kate Gilmore, but there are some emerging and even some
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Lotus Johnson left this illuminating comment on Alison Young’s post “Art, Value & Banksy’s Rats in Melbourne,” which included an illustration of a stencil depicting a native Australian flower stabbing a Banksy signature animal, the rat. Turns out there’s more than meets the eye.
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The Art Chicago preview had all the energy of a funeral home decorated in an array of polite artworks in gilded frames but NEXT, Art Chicago’s ersatz “alternative fair” for “emerging” galleries and artists, certainly had a buzz about it.
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Daniel Larkin goes looking for pterodactyls in some recent art exhibitions. He writes: “Some artists have discovered that this flying reptile have some real cross-over potential. At first, this sounds like an awfully kitschy idea, but when this airborne creature is refracted, distilled, and boiled d
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Gender issues and neo-colonialism are having a fine frippery field day courtesy of Kent Monkman a gay First Nations Manitoba Swampy Cree Canadian artist … is part of a small, but burgeoning contingent of Canadian First Nations artists who are engaging in sociological and scatological commentary on t
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I made a recent realization: discussing complex gender issues leaves me speechless. I realized that after about the 14th time I tried and failed to begin this article. This new manifestation of my ignorance comes courtesy of the MIT List Visual Arts Center’s exhibition entitled Virtuoso Illusion: Cr
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This year’s Whitney Biennial may be my favorite in memory. I’ve been thinking about it for over two months now and will publish my review here next week but until then I wanted to post some photos that I snapped during the press preview back in February.
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As a film, Exit Through the Gift Shop is funny, interesting, and quirky, but you don’t walk away feeling like you experienced a film as much as a really long DIY online video. Some parts are very compelling, and there are some real laughs, but the movie often drags, making you wish you could fast fo
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Three must-see shows this weekend in SF: Parker Koo Ito’s RGB Forever show at Adobe Books Backroom Gallery; the AVATAR 4D group show at NOMA Gallery; and Rich Bott’s STILL AT LARGE STOP LAST SEEN AT MIRA MESA CHILIS STOP at 2nd Floor Projects.
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My friend was trying to convince me the other day that $20 was not an unreasonable amount for a museum to ask visitors to pay. We were standing in the lobby of the Whitney shortly after the Biennial had opened, and maybe I was having none of it simply because I was feeling snarky while remembering p
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Personal computing may have begun in the 1980s but the history of computer art started much earlier during a period when only a few visionaries sensed the impact computers were going to have on our lives. The Slovakia-based Translab has posted a good online archive of early computer art from names t