News
Will Richard Serra’s Forgotten Paris Sculpture Finally See the Light of Day?
When I broke the story about the whereabouts of “Clara-Clara,” I hoped that it would spur action by the City of Paris, which owns the work. It appears that it has.
News
When I broke the story about the whereabouts of “Clara-Clara,” I hoped that it would spur action by the City of Paris, which owns the work. It appears that it has.
Art
How did the artist's massive “Clara-Clara” (1983) end up in the backyard of a former water treatment facility on the city’s outskirts?
News
At once aloof and inviting, his gargantuan and often controversial sculptures draw viewers in for an experience of the sublime.
Interview
"How is art to react? By persisting in its freedom."
Art
Serra’s new works are the ultimate billionaire’s art.
Podcast
A new book of conversations between the noted artist and art historian captures a complex body of work that continues to challenge the conventions of sculpture.
Art
I remember David Zwirner Gallery back in the 1990s, before Chelsea, when the New York art world was much smaller and more manageable.
Art
Connors has arrived at a synthesis of what, up until now, has been a stylistically identifiable but rather diverse output.
Art
The first painting I saw in 2016 was “Cockman Always Rises Orange” (2015): we can’t say we weren’t warned.
Art
The lobby gallery at the Skidmore, Owings & Merrill-designed midtown office tower at 1285 Avenue of the Americas, with its partitioned walls flanked by floor-to-ceiling windows on the north and south sides of the building, is unusually well-suited for both casual and concentrated encounters with art
Art
A visit last weekend to Dia:Beacon, the vast repository of Minimalist art on the east bank of the Hudson River, brought home once more the complexities and contradictions of a movement whose goal was to be as plain as the nose on your face.
Art
In a small, über-blue chip stretch of 21st Street in Chelsea, three adjacent galleries are concurrently running exhibitions that feature a series of monumental art pieces that move between refined, processed, man-made materiality to earthen structures, and plant life that grows from the soil.