Opinion
Required Reading
This week's edition of Required Reading comes a little later than usual, but aren't all good things worth the wait? We'll be back to our morning publishing schedule next Sunday. Enjoy the linkage.
Opinion
This week's edition of Required Reading comes a little later than usual, but aren't all good things worth the wait? We'll be back to our morning publishing schedule next Sunday. Enjoy the linkage.
Opinion
This week's Required Reading has Serra at the Met, pole dancing's relationship to art, tech's relationship to whiteness, mud stenciling, sound art, ruminations on the art world by a bigwig at Christie's and the art of getting high.
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Richard Serra may be best known for his curving steel wall sculptures, but his earlier works erred even more on the side of conceptually abstract. The artist's 1967 “Verb List Compilation: Actions to Relate to Oneself” kicked off a body of work in which a single verb directly translated into art. Ch
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Over the past week, I've been writing about art's environmental impact and how that factors in to perceived artistic quality. What the debate boils down to for me is the question of whether art is worth its cost of production, and how we analyze a piece of art's efficacy or value. When we talking ab
Opinion
After Ai Weiwei's Tate exhibition was effectively quarantined for its impact on visitors’ health and well-being, we thought we’d investigate the art world for a few other pieces and exhibitions that ended up being a little more than curators and artists bargained for. From the Tate Modern’s numerous