Ruth Asawa, Anni Albers, and others first experimented with printmaking at June Wayne’s Tamarind Lithography Workshop.
Ruth Asawa
Posted inNews
At Stanford, a New Initiative Will Study and Exhibit More Asian American Art
Marci Kwon got the idea for the initiative after creating a class she had always wanted to take but had never found in graduate school: one on Asian American art.
Posted inBooks
Ruth Asawa’s Life and Legacy, in Both Art and Education
Marilyn Chase’s new biography sheds light on Asawa’s contributions to San Francisco’s public schools and its artistic community at large.
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Ruth Asawa Artworks Grace New US Postage Stamps
The Japanese-American artist’s wire sculptures have been likened to birds’ nests. Here’s a first look at some of the designs.
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The Artists Who Found Inspiration in Isolation
In the age of “social distancing,” reflecting on works by a number of artists who found themselves isolated, detained, or bed-ridden for various reasons.
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A Mega-Gallery Marks a Quarter Century
I remember David Zwirner Gallery back in the 1990s, before Chelsea, when the New York art world was much smaller and more manageable.
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How Asian-American Artists Made a Mark on Abstract Expressionism
Asian-American artists engaged deeply and creatively with Abstract Expressionism, counter to historical views of the movement as a New York monolith.
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12 Revelatory Exhibitions from 2017
Each of these exhibitions showed me something I had not seen before.
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The Unknowable Ray Johnson
When Ray Johnson killed himself at the age of 67, the air of mystery surrounding his personality, life, and art only thickened.
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Ruth Asawa, a Pioneer of Necessity
Asawa was a woman of Japanese ancestry making art in the years after World War II, which was a double whammy.
Posted inArt
Untying the Knots of History Around Japanese-American Internment
Orlaineta is concerned with unpacking history and sifting through forgotten objects in order to reconstruct a story.
Posted inArt
A New Powerhouse in Downtown LA Wants to Be More Than a Gallery
LOS ANGELES — The first time I’d ever walked into an art museum I was confronted by a sculpture, free standing, that both seemed like a representation of a human body, a penis, and a catamaran — all at the sam