Ruth Asawa, Anni Albers, and others first experimented with printmaking at June Wayne’s Tamarind Lithography Workshop.
Marci Kwon got the idea for the initiative after creating a class she had always wanted to take but had never found in graduate school: one on Asian American art.
Marilyn Chase’s new biography sheds light on Asawa’s contributions to San Francisco’s public schools and its artistic community at large.
The Japanese-American artist’s wire sculptures have been likened to birds’ nests. Here’s a first look at some of the designs.
In the age of “social distancing,” reflecting on works by a number of artists who found themselves isolated, detained, or bed-ridden for various reasons.
I remember David Zwirner Gallery back in the 1990s, before Chelsea, when the New York art world was much smaller and more manageable.
Asian-American artists engaged deeply and creatively with Abstract Expressionism, counter to historical views of the movement as a New York monolith.
Each of these exhibitions showed me something I had not seen before.
When Ray Johnson killed himself at the age of 67, the air of mystery surrounding his personality, life, and art only thickened.
Asawa was a woman of Japanese ancestry making art in the years after World War II, which was a double whammy.
Orlaineta is concerned with unpacking history and sifting through forgotten objects in order to reconstruct a story.
LOS ANGELES — The first time I’d ever walked into an art museum I was confronted by a sculpture, free standing, that both seemed like a representation of a human body, a penis, and a catamaran — all at the sam