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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Ryan Lee Gallery

Posted inArt

The Independent Spirit of Herbert Gentry

by John Yau January 16, 2021January 15, 2021

Gentry was one of a number of Black artists who had to navigate the art world’s demand to emphasize their racial identity in the “right” way.

Posted inArt

Emma Amos and the Profound Role of Memory in Her Paintings

by Colony Little August 25, 2020August 24, 2021

For Amos, who died in May due to complications related to Alzheimer’s, photographic preservation was integral to her paintings, suggesting its important function as a mnemonic device.

Posted inArt

George Miyasaki’s Non-Western American Painting

by John Yau May 26, 2019May 28, 2019

In writing about artists of Asian descent I have repeatedly bumped up against codified prejudices in both the art and literary world.

Posted inArt

The Last Testament of Michael Mazur

by John Yau November 11, 2018November 9, 2018

At the end of his life, Mazur wanted to evoke his passage into chaos, to compose his farewell.

Posted inArt

Psychedelic Photographs of Processed Food

by Elena Goukassian August 1, 2017

In a series on view at Ryan Lee gallery, Sandy Skoglund melds classical still life paintings with Cold War–era consumer culture.

Posted inArt

Reading the Numbers of Stop-and-Frisk

by Jessica Lynne September 21, 2015

In 2013, Judge Shira A. Scheindlin issued a ruling which effectively dismantled the New York City Police Department’s racist stop-and-frisk policy.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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