Art
Sarah Lucas's performance at the Hammer Museum was satisfying, liberating even. Women are not supposed to express anger, and we sure as hell aren’t supposed to make a mess.
Art
Tracing Egon Schiele’s lineage, forward and backward in time.
Art
At the Braddock Carnegie Library, art sits alongside other lending collections, including books of course, but also puppets and tools.
Art
Filled with fried egg breasts and cucumber phalluses, Sarah Lucas's new retrospective at the New Museum illuminates her wry subversion of the patriarchal art historical canon.
Art
At the Legion of Honor in San Francisco, an exhibition marking the centennial of Rodin's death juxtaposes his work with Sarah Lucas's materially soft but conceptually tough sculptures.
Interview
Kate Just, an American-born Australia-based artist, has long been committed to making feminist work that examines the human body experience.
Art
MILAN — The most startling pairing in The Great Mother, an exhibition that tracks the iconography of motherhood in art and popular culture from 1900 to 2015, is a sculptural stand-off between Sarah Lucas and Thomas Schütte.
Art
Some curious creatures have arrived in City Hall Park, although they look pretty miserable about it. Olaf Breuning's "The Humans," with its loop of anthropomorphic figures showing a story of humans evolving from fish to fisher king, has each whimsical figure sporting a deep frown upon their marble f
Art
Opening tonight, the New Museum's NYC 1993: Experimental Jet Set, Trash and No Star purports to offer a time capsule, or, as the museum's curator Gary Carrion-Murayari put it, a "form of collective memory" documenting a particular time in a particular art scene, namely, New York City in the '90s.
Art
MIAMI — There are many stories about the origins of art: ancient Greek historian Pliny suggested art was born when a Corinthian maiden traced the outline of her lover’s shadow on a wall, while an Asian legend tells of a young man who could not paint the Buddha because of his enlightened glow, and so
Art
LONDON — Who knew Max Klinger’s late 19th-century prints exploring that tempestuous schism dividing man and woman could be so evocative of Francisco Goya’s early 19th-century print series, Disasters of War? It's gender warfare, as seen through visual art.