Lydia Ourahmane asks whether her journey to the remote Tassili n’Ajjer plateau should be considered neocolonial tourism or an artistic exploration of cultural heritage.
SculptureCenter
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Losing Ourselves in Liz Larner’s Shapeshifting Sculpture
By approaching sculpture as an open-ended experience of embodiment, Larner provokes us to repeatedly lose and locate ourselves in her work.
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Rindon Johnson Ruminates on the Expansiveness of Identity
Johnson’s winding works prompt as many questions as they provide answers, percolating with repetition, address, and alternates.
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Sculptural Paintings That Channel the Static Soup of Television
In Tishan Hsu’s work, the canvas becomes a television, a platform of multiple channels, where what channel to tune into is the viewer’s choice.
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SculptureCenter Presents Banu Cennetoğlu and In Practice: Other Objects
Cennetoğlu’s first solo museum exhibition in the U.S. is on view alongside a group exhibition presented through SculptureCenter’s open call commissioning program.
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Before Projection: Video Sculpture 1974–1995 on View at SculptureCenter Through December 17
A tightly focused survey of monitor-based sculpture made between the mid-1970s and the mid-1990s.
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SculptureCenter Presents 74 million million million tons, on View Through July 30
The exhibition’s artists push against narratives put forth by corporate and government industries by producing specific knowledge and corroborative objects around unmapped historical and political events.
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SculptureCenter Presents Carissa Rodriguez: The Maid and In Practice: Another Echo, on View Through April 2
Founded by artists in 1928, SculptureCenter provides an international forum that connects artists and audiences by presenting exhibitions, commissioning new work, and generating scholarship.
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The Feminist and Critical Pop Art of Nicola L.
The SculptureCenter is hosting Nicola L.’s first institutional survey, cementing her reputation and oeuvre as thoroughly feminist.
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The Playful, Feminist Sculptures of a Member of the Peruvian Avant-Garde
Teresa Burga’s first solo museum exhibition in the United States focuses on her contributions to the Peruvian avant-garde and questioning of art-world hierarchies.
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When the Language Meant to Prop Up Art Makes It Fall Over
In Practice: Material Deviance, the group exhibition currently occupying the quirky basement space at SculptureCenter, can’t quite live up to its curatorial statement.
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An Exhibition of Sea Creatures and Beach Gear Treads Water
Cosima von Bonin’s exhibition at SculptureCenter features many splashy, maritime-themed works, but their cumulative effect lacks much depth.