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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

SculptureCenter

Posted inArt

Who Has the Authority to Tell a Region’s History?

Avatar photo by Annabel Keenan July 22, 2022July 25, 2022

Lydia Ourahmane asks whether her journey to the remote Tassili n’Ajjer plateau should be considered neocolonial tourism or an artistic exploration of cultural heritage.

Posted inArt

Losing Ourselves in Liz Larner’s Shapeshifting Sculpture

by Cassie Packard March 20, 2022March 21, 2022

By approaching sculpture as an open-ended experience of embodiment, Larner provokes us to repeatedly lose and locate ourselves in her work.

Posted inArt

Rindon Johnson Ruminates on the Expansiveness of Identity

Avatar photo by danilo machado July 29, 2021July 29, 2021

Johnson’s winding works prompt as many questions as they provide answers, percolating with repetition, address, and alternates.

Posted inArt

Sculptural Paintings That Channel the Static Soup of Television

Avatar photo by Brock Lownes October 27, 2020November 5, 2020

In Tishan Hsu’s work, the canvas becomes a television, a platform of multiple channels, where what channel to tune into is the viewer’s choice.

Sculpture Center
Posted inSponsored

SculptureCenter Presents Banu Cennetoğlu and In Practice: Other Objects

by SculptureCenter February 13, 2019February 14, 2019

Cennetoğlu’s first solo museum exhibition in the U.S. is on view alongside a group exhibition presented through SculptureCenter’s open call commissioning program.

Friederike Pezold, Die neue leibhaftige Zeichensprache (The New Embodied Sign Language), 1973–76, installation view. Four digitized videos. Dimensions variable. 10 minutes each. Hamburger Kunsthalle. Photo: Kyle Knodell
Posted inSponsored

Before Projection: Video Sculpture 1974–1995 on View at SculptureCenter Through December 17

by SculptureCenter October 4, 2018October 4, 2018

A tightly focused survey of monitor-based sculpture made between the mid-1970s and the mid-1990s.

Posted inSponsored

SculptureCenter Presents 74 million million million tons, on View Through July 30

by SculptureCenter May 14, 2018

The exhibition’s artists push against narratives put forth by corporate and government industries by producing specific knowledge and corroborative objects around unmapped historical and political events.

Posted inSponsored

SculptureCenter Presents Carissa Rodriguez: The Maid and In Practice: Another Echo, on View Through April 2

by SculptureCenter February 12, 2018

Founded by artists in 1928, SculptureCenter provides an international forum that connects artists and audiences by presenting exhibitions, commissioning new work, and generating scholarship.

Posted inArt

The Feminist and Critical Pop Art of Nicola L.

by Emma Ng December 4, 2017December 1, 2017

The SculptureCenter is hosting Nicola L.’s first institutional survey, cementing her reputation and oeuvre as thoroughly feminist.

Posted inArt

The Playful, Feminist Sculptures of a Member of the Peruvian Avant-Garde

by Julia Friedman July 17, 2017August 4, 2017

Teresa Burga’s first solo museum exhibition in the United States focuses on her contributions to the Peruvian avant-garde and questioning of art-world hierarchies.

Posted inArt

When the Language Meant to Prop Up Art Makes It Fall Over

Avatar photo by Seph Rodney March 14, 2017

In Practice: Material Deviance, the group exhibition currently occupying the quirky basement space at SculptureCenter, can’t quite live up to its curatorial statement.

Posted inArt

An Exhibition of Sea Creatures and Beach Gear Treads Water

Avatar photo by Benjamin Sutton December 19, 2016December 20, 2016

Cosima von Bonin’s exhibition at SculptureCenter features many splashy, maritime-themed works, but their cumulative effect lacks much depth.

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