Feature
Saad Khan Archives the Detritus of Censored Culture
Since 2019, the New York-based archivist has cultivated a digital and physical menagerie of censored mass media spanning South Asia to the Maghreb known as Khajistan.
SculptureCenter
Art
Chance Encounters With Tania Pérez Córdova’s Art
Poetic and subtle, her work invites viewers to contemplate each material as it changes, or stays the same, over time.
Art
Who Has the Authority to Tell a Region's History?
Lydia Ourahmane asks whether her journey to the remote Tassili n’Ajjer plateau should be considered neocolonial tourism or an artistic exploration of cultural heritage.
Art
Losing Ourselves in Liz Larner's Shapeshifting Sculpture
By approaching sculpture as an open-ended experience of embodiment, Larner provokes us to repeatedly lose and locate ourselves in her work.
Art
Rindon Johnson Ruminates on the Expansiveness of Identity
Johnson’s winding works prompt as many questions as they provide answers, percolating with repetition, address, and alternates.
Art
Sculptural Paintings That Channel the Static Soup of Television
In Tishan Hsu’s work, the canvas becomes a television, a platform of multiple channels, where what channel to tune into is the viewer’s choice.
Announcement
SculptureCenter's Spring 2019 Exhibitions Include Jean-Luc Moulène, Fiona Connor, and More
SculptureCenter presents commissions by Jean-Luc Moulène and Fiona Connor, a public artwork by Matt Keegan, and a solo exhibition by ektor garcia.
Announcement
SculptureCenter Presents Banu Cennetoğlu and In Practice: Other Objects
Cennetoğlu’s first solo museum exhibition in the U.S. is on view alongside a group exhibition presented through SculptureCenter’s open call commissioning program.
Announcement
Before Projection: Video Sculpture 1974–1995 on View at SculptureCenter Through December 17
A tightly focused survey of monitor-based sculpture made between the mid-1970s and the mid-1990s.
Announcement
SculptureCenter Presents 74 million million million tons, on View Through July 30
The exhibition's artists push against narratives put forth by corporate and government industries by producing specific knowledge and corroborative objects around unmapped historical and political events.
Announcement
SculptureCenter Presents Carissa Rodriguez: The Maid and In Practice: Another Echo, on View Through April 2
Founded by artists in 1928, SculptureCenter provides an international forum that connects artists and audiences by presenting exhibitions, commissioning new work, and generating scholarship.
Art
The Feminist and Critical Pop Art of Nicola L.
The SculptureCenter is hosting Nicola L.'s first institutional survey, cementing her reputation and oeuvre as thoroughly feminist.