There are no “outsiders” in this exhibition at the Cincinnati Art Museum.
Self-taught artists
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William Edmondson’s Tombstone Blues
The self-taught artist, who carved gravestones for a living, is finally receiving institutional recognition.
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The Women Who Created “Naive” Art for the Darkest of Times
A new exhibition in Warsaw celebrates four postwar Polish artists on the margins of art history.
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The Singular Vision of Morris Hirshfield
Morris Hirshfield Rediscovered highlights the need for more research on twentieth-century self-taught American artists, who were marginalized by restrictive art historical narratives.
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Nellie Mae Rowe’s Story of Freedom
Really Free: The Radical Art of Nellie Mae Rowe is brimming with examples of the artist’s imaginative allegorical art.
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The Prison Drawings of Frank Jones
Frank Jones was “double-sighted” — born with a caul over his left eye — which gave him, or so it was believed, the power to communicate with the spirit world.
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Issei Nishimura’s Soulful, Expressionistic Art
Intense and deeply personal, the Japanese self-taught artist’s work, now in its first-ever New York solo survey, defies easy labels.
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Keeping it Odd — and Real — at the 2020 Outsider Art Fair
With a broader, more international scope, this year’s gathering will offer fresh discoveries at every turn.
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The Insider’s Guide to Outsider Art
The exhibition features some compelling artwork, but it falls into the same traps and stereotypes that have plagued many museum exhibitions featuring outlier artists (if that’s what we’re supposed to call them now).
