Rich never forgot his roots deep in our community, and never lost his love and care for the artists.
Marilyn Gold is a painter; Robert Guillot makes sculpture and drawings. Both have been working in New York for decades. As their studio output indicates, they have profoundly different interests and divergent means of exploring them.
This past winter, New York-based painter Tim Casey rode 100 miles on horseback through the snow with the Lakota, a Native American tribe in South Dakota.
The walls of Sideshow Gallery in Williamsburg have erupted with its annual salon-style group show, where hundreds of artists are represented in a mosaic of work that leaves only slivers of open white space.
Are the 60s still cool? Williamsburg says yes. This month’s 2nd Friday event convinced me that some things will never go out of style. For example, hot chocolate from Ella Cafe on a crisp November evening and the light sweet taste of cotton candy, thanks to the boutique and gallery Cotton Candy Machine. It also persuaded me that Williamsburg has a foot remaining in the 1960s. And it’s not just because everyone is wearing bull-horn black glasses.
In 1996, someone mentioned to Richard Timperio that he should mount a Christmas show at the Planet Thailand cafe on Bedford Avenue. While Timperio isn’t a big fan of Christmas shows, he gave it a try and organized the first in what has developed into an annual tradition of inclusive exhibitions that continue to grow. This year’s incarnation is titled It’s All Good (Apocalypse Now).
I attribute it to serendipity that there are currently two fantastic sculpture shows in the Williamsburg galleries. One is by Greg Barsamian, who creates simple sculptural forms filled with Eadward Muybridge-like animations out of metal, and the other by the masterful Shari Mendelson, who always finds a way to transform banal plastic refuse into beautiful things.