Forti started as a painter so it’s only natural that she would transform other artists and cultural workers into dancers.
MoMA’s latest exhibition on the Judson Dance Theater feels like a long overdue thesis on how to correctly present performance within a museum.
During the summer of 1960, dance artists Simone Forti, Nancy Meehan and Yvonne Rainer rented rehearsal space at Dance Players on Sixth Avenue so they could improvise together.
On September 26–27, the Hammer Museum will present ALL THE INSTRUMENTS AGREE: an exhibition or a concert, a two-day program of back-to-back live performances by over 25 local, national, and international sound artists, music collectives, art bands, and visual artists.
I wasn’t quite sure what to expect upon entering the fourth floor galleries at the Museum of Modern Art for a collaborative performance, “illlummminnnatttionnnssss!!!!!!!” (2014), by old-guard experimentalists Simone Forti and Charlemagne Palestine. The pair had not performed together in over four decades.
LOS ANGELES — How many literary readings involve a faux-gorilla dancing with a palm leaf and bunch of balloons? Or a megaphone? Or someone tossing handmade zines into the audience with abandon? Artists Read Baldessari was this type of event.
Pace Gallery has mounted a world class mini-museum show on the art of the Happening using its vast holdings as well as supplemental gleanings loaned from the Whitney, MOMA and Getty museums.