Calle’s methodical analysis makes the reader more curious about the artist herself than the guests she spies on.
I expected to stare at many things at the International Center of Photography’s new 250 Bowery location, but my own image was not one of them.
In April 1981, a detective followed the French artist Sophie Calle through the streets of Paris for one day.
The exhibitions that rippled through our cultural fabric over the past year, at least those occurring in and around New York, have registered the predictable number of highs and lows, though 2014 did manage to plumb one nadir unlikely to be matched for a good long time.
Rachel, Monique, Sophie Calle’s memorial to her mother, is installed in a side chapel of the starkly beautiful neo-Gothic Episcopal Church of the Heavenly Rest on Fifth Avenue and 90th Street. On a marble plaque beside the chapel entrance, the artist has overlaid a brief text noting that her mother was not a Christian, but she would never pass up an invitation to the Upper East Side.
Sophie Calle creates narrative fictions about tremendous loss, using stories to “protect” her from bitterness. Her life is her art and her art is her life, which makes her pieces either irrepressibly cloying or profoundly moving.
CHICAGO — It’s impossible to know when love begins. At best, we are mildly aware of its onset — a subtle brush of the hair, a lick of the lips, a quiet nudge of the hip, a gaze that lasts too long or not long enough. What we do know is that love finds us; we cannot search it out. Spanish poet Federico García Lorca wrote of lunar romance: “How the owl is calling. / Ay, it calls in the branches! / Through the sky goes the moon, / gripping a child’s fingers.” His lyrical words wrap themselves around a young, innocent type of love.
Sophie Calle moves into New Orleans’ 1850 House for her Prospect 2 installation and brings dozens of objects and stories with her — with mixed results.
apexart presents: “You can’t get there from here but you can get here from there” (YCGTFH), a new show curated by Courtenay Finn and featuring work by: Sophie Calle, Patty Chang, Rodney Graham, Joachim Koester, Kris Martin, Bruce Nauman, and Allen Ruppersberg. It opens today — Wednesday, September 15 (6-8pm).