Through textural, analog works that neither beep nor boop, artist Analia Saban has crafted a poetic commentary on our digital existence.
Though Holt’s photos come from the mid-20th century, they anticipate 21st-century aesthetics and could be a backdrop in an influencer’s desert pilgrimage.
To see Upson’s memorial exhibition at Sprüth Magers is to absorb the full intensity of the artist’s explorations of trauma, vulnerability, and abjection.
Just as LeWitt used minimalism to distill geometric forms, Darboven used it to expose the raw structure of time.
Mucha’s reflective sculptures ensure that while looking at one work, viewers are aware of others and our presence among them.
Amid the big, blue chip baubles, there are flickers of truly powerful and personal work at the latest edition of the vast Armory Show art fair.
LOS ANGELES — The current show at Sprüth Magers gallery, Eau de Cologne, has a title that might seem like a play on words (that’s what I initially thought), but it is actually quite straightforwardly unironic.
Frieze New York opens its doors to the public today, but already during yesterday’s press and VIP preview the aisles were crowded, the common areas and restaurants filled with worn-out fairgoers, and it seemed as if the only empty seats were sculptures.