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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Sprüth Magers

Posted inArt

How Nancy Holt Anticipated the Influencer Age

by Renée Reizman December 20, 2022December 20, 2022

Though Holt’s photos come from the mid-20th century, they anticipate 21st-century aesthetics and could be a backdrop in an influencer’s desert pilgrimage.

Posted inArt

For Kaari Upson, the Abject and Grotesque Were a Wealth of Inspiration

by AX Mina September 19, 2022September 19, 2022

To see Upson’s memorial exhibition at Sprüth Magers is to absorb the full intensity of the artist’s explorations of trauma, vulnerability, and abjection.

Posted inArt

Hanne Darboven’s Attempt to Unbind Narrative From Time

by Renée Reizman June 8, 2022June 8, 2022

Just as LeWitt used minimalism to distill geometric forms, Darboven used it to expose the raw structure of time.

Posted inArt

Reinhard Mucha’s Unsettling Precision

Avatar photo by Mika Ross-Southall April 20, 2019April 22, 2019

Mucha’s reflective sculptures ensure that while looking at one work, viewers are aware of others and our presence among them.

Posted inArt

Scouting Out the Armory Show, a Theme Park for the Wealthy

Avatar photo by Seph Rodney March 3, 2017March 4, 2017

Amid the big, blue chip baubles, there are flickers of truly powerful and personal work at the latest edition of the vast Armory Show art fair.

Posted inArt

A Celebration of Women Who Made It to the Top of the Art World

Avatar photo by Seph Rodney August 17, 2016August 18, 2016

LOS ANGELES — The current show at Sprüth Magers gallery, Eau de Cologne, has a title that might seem like a play on words (that’s what I initially thought), but it is actually quite straightforwardly unironic.

Posted inArt

Look Before You Sit: At Frieze New York, the Seats Are All Sculptures

Avatar photo by Benjamin Sutton May 14, 2015May 29, 2015

Frieze New York opens its doors to the public today, but already during yesterday’s press and VIP preview the aisles were crowded, the common areas and restaurants filled with worn-out fairgoers, and it seemed as if the only empty seats were sculptures.

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