Art Review
A Tandem Dance of the Seen and Imagined
Paintings by Abigail Dudley and sculptures by Elise Siegel showcase their absorption with oil paint and clay, respectively.
Steven Harvey Fine Art Projects
Art Review
Stanley Rosen’s Love-Hate Relationship With Alligators
Consistent throughout Rosen's unglazed alligator sculptures is his ambition to connect the shaping of clay with prehistoric visions.
Art
How Bob Thompson Created an Art Community
Fearless, prolific, and protean from the start of his career, Thompson was able to absorb influences from both contemporary and historical artists without becoming derivative.
Art
Abigail Dudley’s Paintings of the Observed and Imagined
I can think of no other painter who can so effectively pull the viewer into a space where clarity and puzzlement cannot be separated.
Art
The Indecipherable Mark-Making of Rosaire Appel
Appel’s vertical and horizontal formats suggest a narrative that can be read, but what is within their borders resists understanding.
Art
Memories of a Long-Gone, Gritty New York
Bill Rice’s paintings are glimpses of Manhattan’s old East Village of crime, abandonment, cruising, and hanging out.
Art
Anne Harvey in a Club of One
There is the singular artist and then there is the more exclusive club that has only one member. Harvey belongs to the latter.
Art
Peter Acheson Trades Heroism for Humility
In an age dominated by narcissism and material excess, Acheson's anti-heroic position as an admirer of other artists should be something that we reflect upon.
Art
Stanley Rosen’s Embrace of Vulnerability
If art is regarded traditionally as an impermeable form that resists the effects of time, Rosen acknowledges and accepts their inevitable triumph.
Art
Painting and Time's Winged Chariot
Paint's materiality has a capacity to release meaning into the work, to underscore our vulnerable bodily presence in the world and time.
Art
An Artist Standing Outside an Either/Or World
L. Brandon Krall seems simultaneously to embrace systems and flights of imagination.
Art
A Not Completely Lost History
The artists in Post prove that paintings and drawings can be captivating years after they were done, and that a timely style has a way of becoming uninteresting, even mummifying.