Art
Under No Obligation
We should all be inspired by Alma Thomas’s optimism.
Art
We should all be inspired by Alma Thomas’s optimism.
Art
There has been a good deal of conversation in the last few years around the subject of Congressional district gerrymandering, a process by which the boundaries of an electoral constituency are manipulated to favor a political party or a class.
Art
CaribBEING is a young hybrid arts organization working to play several roles.
Art
Occasionally, we are forced to venture beyond Brooklyn to see art.
News
The Marcus Garvey Park Alliance has ambitious plans for a new program of public art to commence in 2016 with works primarily situated in four historic Harlem parks.
Art
Like a Choose Your Own Adventure story or a game of Mad Libs, the elliptical title of Lorraine O’Grady’s 1983 performance piece, “Art Is…,” creates space, playful and inviting, for structured audience participation.
Art
Happily, for those who are curious about what came next in Whitney’s evolution, they need only to go uptown and see the artist’s first museum exhibition in New York, Stanley Whitney: Dance the Orange at the Studio Museum in Harlem, which contains a selection of twenty-nine paintings and works on pap
Opinion
Given the Studio Museum’s unique position in the city’s arts and culture landscape, this rebuild, the first since the museum took up residence in its current space in 1982, seems to indeed be a cause to celebrate.
In Brief
Visitors to the Studio Museum in Harlem have long been struck by its small size.
Art
Years ago I saw a drawing in a modest exhibition at the Centre Pompidou that Picasso made on a sheet of stiff cardboard while he was on a picnic with his friends, Michel and Louise Leiris. Not one to waste space, Picasso divided the surface into a grid, and in each small square he made a quick conto
Art
When artist Titus Kaphar began searching for his father's prison records in 2011, he found the mugshots of 99 other black, incarcerated men who shared his dad's first and last name.
Performance
The premiere live performance of conceptual artist Charles Gaines’s “Manifestos 2” (2013) at the Museum of Modern Art on September 27 was nothing short of synesthetic.