Art
Imperialism and Its Discontents at Tate Britain
LONDON — Artist and Empire contains something for everyone, ranging from fierce pride to loathing, as well as everything in between.
Art
LONDON — Artist and Empire contains something for everyone, ranging from fierce pride to loathing, as well as everything in between.
News
If you’re an artist who’s complained about the oil industry and the way fossil fuel extraction is damaging the environment, you now have a chance to put your money where your mouth is.
Art
LONDON — Barbara Hepworth: Sculpture for a Modern World marks one of the last exhibitions backed by the outgoing Tate Britain director, Penelope Curtis.
News
In January, many were surprised to find that BP's controversial sponsorship of Tate Britain represented a relatively small slice of its overall funding.
Art
LONDON — It’s 10am on the last Saturday of January, and Tate Britain is predictably sleepy. The museum has just opened its doors for the day, and a modest coterie of visitors treads lightly to preserve the morning hush.
Interview
For the past six years, the Danish-Icelandic artist Olafur Eliasson has been working with a color chemist to produce paint pigments that correspond to each nanometer of the visible light spectrum.
News
After Tate Britain closed last Wednesday night, a homeless man had the museum all to himself, the London Evening Standard reported. Raj Patel had fallen asleep in a bathroom stall just before closing.
Art
Anyone can visit Tate Britain without leaving her home thanks to Google Art Project, but how about doing so while its galleries are dark, and furthermore, with greater authority?
News
In a study published today, Greek and German researchers have compiled the results of looking at sunsets in 310 works from the Tate and National Gallery in London. The focus is on sunsets because they can potentially show what the climate was like in the past and help improve climate change models f
Art
This fall the Tate Britain is opening an exhibition on art that has been physically attacked in the country, whether for political, religious, or personal reasons, or just because the artist was into destruction.
Art
Patrick Caulfield (1936–2005) and Gary Hume (born 1962) have 34 years between them, and yet their work is similar and compelling enough to warrant a twin retrospective at Tate Britain. Because the Tate has prudently divided the artists — “offering visitors the chance to see the work of two complemen