Minneapolis-based Chicano artist Luis Fitch designed the stamps, which were released ahead of the upcoming holiday.
Texas
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Maria Guzmán Capron’s Deliciously Tactile Fabric Figures, or “Hot Aliens”
Capron says her creations reflect herself and her immigrant, Latinx community.
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Faced With a Complex Sense of Home, Jagdeep Raina Turns to Art
“I’ve always felt that home is a fraught place which is constantly going through ruptures,” says Jagdeep Raina.
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The Close Creative Dialogue of Two Brazilian Painters, Alfredo Volpi and Eleonore Koch
Every Saturday, Eleonore Koch visited the older painter Alfredo Volpi’s São Paulo studio, learning, in her words, “through observation and being together.”
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Nao Bustamante Redesigns a Common Gynecological Tool
Nao Bustamante has been thinking of ways to make the speculum less unpleasant for the millions of patients who encounter it each year.
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An Artist’s Hand Towels, Woven During the Pandemic
Doerte Weber’s weavings reproduce the ubiquitous charts and graphics related to infection rates, deaths, and unemployment.
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Basquiat’s Painting on an Apartment Door Acquired by Dallas Museum of Art
Jean-Michel Basquiat painted the portrait in 1985, on the door of a Dallas apartment where he was staying.
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Photographer Captures the Unexpected, Everyday Choreography of NYC’s Streets
Elizabeth Bick’s images inject a sense of theatricality and intention into the randomness of everyday life.
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In Vivid Pastels, Adrian Armstrong Explores the Complexity of Blackness
Armstrong’s layered portraits prompt a consideration of race that is not tethered to skin shades.
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Deborah Roberts’s Intricate and Thoughtful Depictions of Black Childhood
“There’s a lot here to unpack if you’re willing to do the work,” says Roberts.
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Delita Martin Demonstrates What Becoming the Spiritual Other Looks Like
The portraits in her new series Conjure, on view at the Art Museum of Southeast Texas, fuse reality and fantasy in the space between the waking and spirit life.
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How a Tweet Led to the FBI’s Return of a Looted Nepalese Sculpture
The looted status of the stele has been well documented since the 1980s, but it wasn’t until this year that the FBI and Dallas Museum of Art collaborated to return the religious artifact.