Art Review
The All-Over Art of Hamid Zénati
A new retrospective of Hamid Zénati is also an important record of an interconnected North African modernism.
Art Review
A new retrospective of Hamid Zénati is also an important record of an interconnected North African modernism.
Art
Many responses to the Villa Baizeau in two exhibitions take up the notion of memory — and the idea of how life affects the built environment, and vice versa.
Film
Kaouther Ben Hania’s feature film blurs the distance between the personal and cultural, individual and systemic.
Art
In this assemblage of multinational artworks, a cohesive postcolonial canvas fails to fully emerge, owing to Dream City’s lack of bold vision.
News
The Getty Conservation Institute has undertaken numerous mosaic reburials in Tunisia, Lebanon, and Cyprus over the years.
News
Rania Amdouni is one of many Tunisian LGBTQ activists who report being routinely targeted and attacked by the country’s security forces.
Art
Since the World Heritage List was first started in 1978, there has been a persistent link between inclusion on the list and forced relocation of residents, who are typically poor or marginalized.
News
Rachid Koraichi's Jardin d'Afrique (Garden of Africa) will serve as a burial site and memorial for migrants who have died in the Mediterranean Sea. Although it is scheduled to open next spring, the cemetery already buried 56 bodies of drowned migrants.
News
On Wednesday gunmen stormed the Bardo Museum in Tunis, a popular tourist destination located next to Tunisian parliament, killing more than a dozen tourists and taking others hostage inside the museum.
News
In response to the increasing prosecution of rappers in Tunisia as part of a broader crackdown on free expression by the country's Islamist government, rappers in the country have formed a union.
Art
It has been sixty years since the last Tunisian artist, Abdelaziz Gorgi, was formally shown in New York, but that's the first of two claims to history made by The After Revolution, a series of exhibitions showcasing Tunisian artists at White Box on the Lower East Side — the focus of this review — as
Interview
TUNIS — “Rien n’a changé” (“Nothing has changed”). This was the response of many I met in Tunisia last summer when I asked them how they felt about the Tunisian revolution. Rising unemployment and persistent security concerns were the main worries many cited, along with increasing threats to freedom