So Close, Yet So Far: Tunisia, Art, and Revolution

It has been sixty years since the last Tunisian artist, Abdelaziz Gorgi, was formally shown in New York, but that’s the first of two claims to history made by The After Revolution, a series of exhibitions showcasing Tunisian artists at White Box on the Lower East Side — the focus of this review — as well as 5Pointz in Long Island City and the French Institute Alliance Française (FIAF) Gallery on the Upper East Side. The exhibition’s second and more obvious claim to history is as a comprehensive engagement with the question of revolution as it stands in Tunisia two years after Mohamed Bouazizi immolated himself and brought down a tyrant.

Revolution Hasn’t Changed Artistic Censorship in Tunisia

TUNIS — “Rien n’a changé” (“Nothing has changed”). This was the response of many I met in Tunisia last summer when I asked them how they felt about the Tunisian revolution. Rising unemployment and persistent security concerns were the main worries many cited, along with increasing threats to freedom of speech for journalists and artists (the most recent report by the Tunis Center for Press Freedom detailing such threats is here and an article describing freedom of speech restrictions in Tunisia in 2013 here).

{"cart_token":"","hash":"","cart_data":""}