Tom Kiefer’s aim — to document atrocity — is clear. But his exhibit at the Skirball Cultural Center raises a number of important ethical and legal questions about whose stories he tells, and how.
A mix of voices filled the room with passages from Borderlands, serving as a powerful antidote to the violent racism and xenophobia that characterizes our current political moment.
During a recent visit to US border facilities, the president of the American Academy of Pediatrics was given three drawings by child immigrants.
“It is shocking that the American public largely must learn about the dangerous conditions at these detention centers not through reporters being able to cover the news, but through second-hand reports from lawyers and advocates granted access under a legal agreement with the U.S. border patrol,” the organization said.
Twenty-five artists and cultural workers have signed an open letter blasting art institutions’ support of a project to have the prototypes for Trump’s border wall designated as a national monument.
US Customs and Border Protection has awarded contracts to four general construction providers based in Alabama, Arizona, Mississippi, and Texas.
As the dog days of summer draw to a close, take a short drive outside the city to see some unusual art.
With work on view in three current exhibitions, the members of Postcommodity discuss their desire to “mediate complexity.”
J.M. Design Studio saw the president’s call as an opportunity to challenge visions of a xenophobic future.
The Department of Homeland Security’s call for proposals for a wall to be built along the Mexico–US border elicited hundreds of designs. Here are six of them.
Art director Maddy Kramer’s site “The Most Beautiful Wall” is a digital structure 19,000 miles long that is showing work made by immigrant artists.
The Japanese artist collective Chim↑Pom has built a treehouse dubbed “USA Visitor Center” that looks across the US–Mexico border.