Every corner and crevice of Columbia University’s MFA Thesis show feels lived in, reflecting not just artists’ experience quarantining with their work, but also that of re-entering society.
Wallach Art Gallery
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How Socialism Shaped Africa Between Independence and the End of the Cold War
After the End offers a selection of works from artists with personal relationships to, and experiences of, socialism in countries such as Angola, Ethiopia, Guinea-Bissau, and Mozambique.
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Understanding Contemporary Caribbean Art Outside of the Latin American Framework
Trying to subsume the Caribbean into a discourse of Latin America or America, curators argue, limits the ability to account for differences between islands.
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Columbia University MFA Students Put on a Strong Thesis Show Despite Department Woes
Students of the 2018 MFA class are presenting strong work at the Wallach Art Gallery, many of them building large installations around their pieces.
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In Harlem, a New Triennial Parses the Historical, Political, and Social Context of “Uptown”
The inaugural show at Columbia University’s Wallach Art Gallery spotlights 25 artists living or practicing north of 99th Street.
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Exhuming the Artistic Afterlife from One of NYC’s Historic Cemeteries
Up in the Bronx, at the end of the line of the 4 train, is a “remarkable museum of American funerary art,” as the wall text for Sylvan Cemetery: Architecture, Art and Landscape at Woodlawn at Columbia University’s Miriam and Ira D. Wallach Art Gallery puts it.