Columbia University exhibition thwarts the de-politicization of postwar abstract art with a series of provocative questions.
Every corner and crevice of Columbia University’s MFA Thesis show feels lived in, reflecting not just artists’ experience quarantining with their work, but also that of re-entering society.
After the End offers a selection of works from artists with personal relationships to, and experiences of, socialism in countries such as Angola, Ethiopia, Guinea-Bissau, and Mozambique.
Trying to subsume the Caribbean into a discourse of Latin America or America, curators argue, limits the ability to account for differences between islands.
Students of the 2018 MFA class are presenting strong work at the Wallach Art Gallery, many of them building large installations around their pieces.
The inaugural show at Columbia University’s Wallach Art Gallery spotlights 25 artists living or practicing north of 99th Street.
Up in the Bronx, at the end of the line of the 4 train, is a “remarkable museum of American funerary art,” as the wall text for Sylvan Cemetery: Architecture, Art and Landscape at Woodlawn at Columbia University’s Miriam and Ira D. Wallach Art Gallery puts it.