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Hyperallergic

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Wallach Art Gallery

Posted inArt

Highlights From Columbia University’s MFA Thesis Exhibition

by Billy Anania May 18, 2022May 19, 2022

Every corner and crevice of Columbia University’s MFA Thesis show feels lived in, reflecting not just artists’ experience quarantining with their work, but also that of re-entering society.

Posted inArt

How Socialism Shaped Africa Between Independence and the End of the Cold War

by Rachell Morillo October 2, 2019October 2, 2019

After the End offers a selection of works from artists with personal relationships to, and experiences of, socialism in countries such as Angola, Ethiopia, Guinea-Bissau, and Mozambique.

Posted inArt

Understanding Contemporary Caribbean Art Outside of the Latin American Framework

by Gwen A. Unger September 12, 2018September 11, 2018

Trying to subsume the Caribbean into a discourse of Latin America or America, curators argue, limits the ability to account for differences between islands.

Posted inArt

Columbia University MFA Students Put on a Strong Thesis Show Despite Department Woes

by Zachary Small May 16, 2018

Students of the 2018 MFA class are presenting strong work at the Wallach Art Gallery, many of them building large installations around their pieces.

Posted inArt

In Harlem, a New Triennial Parses the Historical, Political, and Social Context of “Uptown”

by Seph Rodney August 4, 2017

The inaugural show at Columbia University’s Wallach Art Gallery spotlights 25 artists living or practicing north of 99th Street.

Posted inArt

Exhuming the Artistic Afterlife from One of NYC’s Historic Cemeteries

by Allison Meier September 15, 2014September 12, 2014

Up in the Bronx, at the end of the line of the 4 train, is a “remarkable museum of American funerary art,” as the wall text for Sylvan Cemetery: Architecture, Art and Landscape at Woodlawn at Columbia University’s Miriam and Ira D. Wallach Art Gallery puts it.

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