Books
Reader’s Diary: Darryl Pinckney's ‘Black Deutschland’
This is not so much a second novel as a mature reimagining of what a youthful first novel might have been.
Weekend
Art
Is It Possible to See What Is There?
The legendary curator Dorothy Miller first obtained a Richard Hunt sculpture for the Museum of Modern Art in 1957.
Art
Under No Obligation
We should all be inspired by Alma Thomas’s optimism.
Art
In Houston, an Outsider Art Trove Finds a Museum Home
HOUSTON, Texas — In this long, hot summer of violence, election-campaign anxiety, and widespread malaise, seekers of relief might find solace in music, movies or visits to museums — that is, in art in general, not so much for escapism, but for art’s reassuring messages about the endurance of the hum
Film
Hunger and Thirst: Chantal Akerman's 'Je tu il elle'
Chantal Akerman’s death by suicide in October 2015, led me to revisit many of her films and to watch new ones, among them Je tu il elle of 1975.
Art
The Enabler
If measured as a flame to kindling, John D. Graham was arguably the most consequential figure in 20th-century American art.
Opinion
Required Reading
This week, minimalism and class pollitics, art and drugs, hackers extort web users, Zumthor redesign for LACMA revealed, and more.
Opinion
Weekend Words: Heart
"There are two tragedies in life. One is not to get your heart's desire. The other is to get it."
Books
Reader’s Diary: Max Stirner's ‘The Ego and His Own’
In a recent long, too long, much too long article in the London Review of Books, Andrew O’Hagan quoted John Lanchester paraphrasing dear old Edmund Wilson to the effect that poets feel differences among themselves as tantamount to lying.
Art
Encounter with a Gazillion Teddy Bears
Partners (The Teddy Bear Project) is the centerpiece – one might say the heart of — The Keeper, organized by Massimiliano Gioni, with Margot Norton, and Natalie Bell and Helga Christoffersen for the New Museum.
Art
Impure and Arcane
One of the interesting things about Hilma af Klint (1862–1944) is that neither she nor her work can be written into the early history of abstract art.
Art
A Poet’s Paintings, In and Out of the Void
“I never wanted to be a poet,” says the famously prolific poet Lawrence Ferlinghetti in “More Light,” an autobiographical essay about his first ambitions as a painter.