Opinion
Weekend Words: Butterfly
"I almost wish we were butterflies and liv'd but three summer days — three such days with you I could fill with more delight than fifty common years could ever contain."
Opinion
"I almost wish we were butterflies and liv'd but three summer days — three such days with you I could fill with more delight than fifty common years could ever contain."
Books
We think the canon of American art of the 1940s and ‘50s is set in stone, but we’ve got a lot of looking still to do.
Books
Nicolas Hundley is a poet of pronouns. In many of his poems and prose poems, a pronoun – he, they, you, and we – is central to each line or sentence.
Art
In his current exhibition, Membrana Porosa, at Cheim and Read, the artist’s first in New York since 2011, Juan Uslé shows fourteen paintings in the gallery’s four distinct spaces.
Interview
I met Erika Ranee last summer when I took students to see a pop-up exhibition she curated in a Brooklyn studio, arranged around the theme of imagery of the eye.
Music
Sometimes genres die quickly (electroclash), sometimes they remain with us forever (teenpop). Sometimes they stop developing and get kept alive indefinitely by loyal keepers of their flame and proud denizens of their subculture.
Books
The Japanese-born art historian Reiko Tomii is one of those researchers who is both passionate about her subjects and recognized among her peers for her meticulous mapping of the cultural-intellectual terrain from which they emerge.
Art
As is often the case with Simon’s work, the logo paintings require a period of conceptual catch-up before they can be seen as what they are, rather than as what they seem.
Opinion
This week, US architecture's odd couple, Roberta Smith about the new SFMOMA, Taibbi on Trump, censorship in Israel, multi-generational affluence in Florence, animals in art project, and more.
Opinion
"The nice thing about quotes is that they give us a nodding acquaintance with the originator, which is often socially impressive."
Books
Cards on the table: I prefer short poems to long ones, slender bodies of work to massive ones. So naturally, I consider the best way to read poetry is not in a book, but in a chapbook.
Art
I want to focus on Jasper Johns’s three recent monotypes based on a Vietnam-era photograph of an emotionally shattered soldier, which are included in Jasper Johns: Monotypes at Matthew Marks.