Opinion
Weekend Words: Climate
This week is Climate Change Week.
Weekend
Books
Coldness, Concept, & Convention: On Aaron Kunin’s 'Cold Genius'
One current, and especially heated, debate animating the contemporary poetry scene revolves around conceptual poetry’s polemic against Romantic expressivity.
Art
Martin Puryear Bears Witness
According to the wall text in the not-to-be-missed exhibition Martin Puryear: Multiple Dimensions at the Morgan Library & Museum, the artist was in “the Peace Corp in Sierra Leone, West Africa” from 1964 to '66.
Interview
Beer with a Painter: Angela Dufresne
Angela Dufresne had a couple of beers cracked open and ready when I arrived at her East Williamsburg studio. It was an old-school painting studio – which somehow surprised me, perhaps because Dufresne’s work is so dense with contemporary theory.
Art
Takesada Matsutani’s Art of Expressive Textures and Ambiguous Blobs
NISHINOMIYA, Japan — Looking back at modernism’s multifaceted history — all those styles, manifesto-driven movements and “-isms,” which forever changed how artists, critics and viewers would look at and think about art — one is reminded that among its fundamental tenets was a call to search out the
Art
Slipping from Grasp: The Photographs of John Brill
Memories, in John Brill’s work, are things — photographs, often grainy and myopic, enshrined in everyday reliquaries: vintage frames, candy dishes, glass bowls, teacups and saucers.
Opinion
Required Reading
This week, serious landscape painting, profiling the Met's Sheena Wagstaff, living in a Frank Lloyd Wright home, the first thing ever purchased on the internet, and more.
Opinion
Weekend Words: Train
Today is the 100th birthday of Billy (“Take the A Train”) Strayhorn.
Performance
Performa 15: Rewarding Musical Turns, and Unused Real Estate
In the final phase of Performa 15, which ended on November 22, a couple of performances turned profitably to music, creating synergies with standardized hand gestures in one case and the dynamics of theater lighting in the other.
Art
Mary Heilmann Invites Us to Join Her in Arcadia
When I first wrote about Mary Heilmann for Artforum (January 1987), one thing I had in mind was the strong impression that her first great painting, “Save the Last Dance for Me” (1979), had made on me some years earlier, when I saw it at the Holly Solomon Gallery.
Music
Grimes, Self-Conscious Art Angel
Put on the new Grimes album and prepare for 50 minutes of squeal.
Books
Surround Sound: The Sonic Environments of Jacob Kirkegaard's ‘Earside Out’
This past spring, the Danish Museet for Samtids Kunst acknowledged the hard-won singularity of countryman Jacob Kirkegaard by granting him his first solo exhibition, Earside Out.