Art
Adam Weinberg, the director of the Whitney Museum of American Art, was candid in his opening day remarks when he commented that the Biennial had in the past been thought of — or was criticized for not being — a representative snapshot of American art.
Art
For the first time in America, we have the opportunity to see the stark abstract paintings and drawings of the Croatian artist Julije Knifer (1924–2004), which are on display at Mitchell-Innes and Nash through today.
Art
By employing photographic techniques usually reserved for fashion models or luxury goods, Silas achieves an unsettling dichotomy between allure and aversion.
Opinion
This week, the state of artist studios, doxxing mania, startup slavery, Zwirner talks to Charlie Rose, fetishizing slums, where people read most, best graffiti of the week, and more.
Opinion
This week marked the opening of the last Whitney Biennial before the museum exits its historic Marcel Breuer building, as well as the last Brucennial, courtesy of the Bruce High Quality Foundation, before it exits the scene for good.
Art
Against the backdrop of belated examples of race-related “progress,” it is illuminating to flip through the pages of American cultural history and discover that almost a century ago, a black, classically trained modern artist, Archibald J. Motley, Jr., was using paint on canvas to address such nuanc
Art
For Gideon Bok, painting, which has historically been defined as a container, a window, or a two-dimensional surface, is at least all three at once. Although I have no proof, I also felt that Bok may also think of painting as a screen.
Art
I was born in 1983. Just shy of my 31st birthday, it occurred to me that somewhere after 1984 — virtually my entire lifetime — painting disappears almost entirely from most books on contemporary art history.
Art
The dream of a completely immersive visual experience haunts modern art. The most famous example in painting, Monet’s Waterlilies installation, dedicated in Paris’s Orangerie in 1927, has behind it a rich history of popular entertainment: the panorama, invented in the late eighteenth century and a m
Art
Susan Rothenberg’s painting, “Untitled” (1974), couldn’t be more basic — brushstrokes of dusty red ochre scrubbed across a canvas; the image of a galloping horse bisected by a vertical line — but you’d be hard pressed to find a more compact expression of what painting is and what it can be.
Opinion
This week, tensions in Ukraine mount, responsibility of architects, aestheticizing politics, Spike Lee's gentrification rant, Ai Weiwei on the internet's influence on his work, and much more.
Opinion
Today's New York Times Magazine brings news from the forefront of the de-extinction movement, which hopes to use genome-editing technology to revive lost species, including "an Australian frog, extinct for 30 years, that gave birth through its mouth."