News
A Whitney Museum Vice Chairman Owns a Manufacturer Supplying Tear Gas at the Border
Warren B. Kanders, a vice chairman at the Whitney Museum of American Art, purchased defense manufacturer "Safariland" in 2012 for $124 million.
News
Warren B. Kanders, a vice chairman at the Whitney Museum of American Art, purchased defense manufacturer "Safariland" in 2012 for $124 million.
Art
This Friday, The Whitney will host a conversation with acquaintances of Andy Warhol on their personal experiences and interactions with the artist.
Art
This Friday and Saturday, the Whitney Museum will host the Independent Study Program's 50th Anniversary Symposium, with panels and talks featuring former students and visiting faculty.
Art
Nevelson used drawing as a creative bridge back and forth into the making of sculpture.
Art
“Time is now compressed and every painting I do... I make with the sense that it may be the last thing I do," Wojnarowicz wrote after his AIDS diagnosis in 1987.
Art
Museum visitors may touch, try on, and purchase clothing and accessories designed specifically for the exhibit by fashion design duo Eckhaus Latta.
Art
In the wake of last year's Pacific Standard Time LA/LA, Pacha, Llaqta, Wasichay at the Whitney Museum continues Latinx art’s entry into New York City’s most iconic arts institutions.
Podcast
After two actions led by ACT UP activists encouraged the Whitney Museum to change a wall label, we went looking for people who could tell us who Wojnarowicz was and help us decipher his complex life and art.
Art
It is Mary Corse’s use of the humble paint brush that allows the viewer to become sensitive to how light is dispersed in the space they occupy.
News
HIV/AIDS activists return to the New York museum, while the museum updated their wall placards to reflect the continuing crisis and the recent action.
Interview
Now working at New York University, Glenn Wharton is responsible for the comprehensive David Wojnarowicz Knowledge Base. Joan Jonas is next.
News
A dozen protesters gathered at the Whitney Museum of Art to condemn the institution's lack of modern context about the HIV/AIDS epidemic in relation to Wojnarowicz's artwork.