The Year in Art Films

Also: Is it ever too late to become an artist, and how do Philadelphians feel about their new Calder Gardens?

It's a common adage that "the art world loves young men and old women." In a chat I once had with artist Carolee Schneemann (pardon the name drop) at a winter solstice party in Upstate New York, she offered the correction: "The art world loves young men and DEAD women." That was just a few months before her passing in early spring of 2019.

Didn't mean to get morbid on you. The point is that many older artists in our community, regardless of their gender, feel left behind. They are intimidated by the seemingly hip and super-connected younger crowds and don't know if and how they can fit in. Luckily, writer and artist advisor Paddy Johnosn is on the case in this month's Art Problems. She offers sage advice on how to get out there and push your career forward, even if your 20s are in the distant past.

And as this year draws to an end, we look back on the 10 best art films of 2025. Highlights include a Peter Hujar interview brought to life, a documentary about three influential single-mother artists, and a timely art heist drama. Don't forget to check out our other Best of 2025 lists. There's more on the way.

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Hakim Bishara, editor-in-chief

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The 10 Best Art Films of 2025

Still from Peter Hujar's Day, dir. Ira Sachs (image courtesy Janus Films)

A day in the life of Peter Hujar, a bungled museum heist, Meredith Monk's 60-year career — these subjects brought to life on camera defined our 2025 in art films. These essential films, listed in no particular order, stand as testaments to both the turmoil and hope this year represented for all of us who love art and the moving picture. 


What Exactly Is Calder Gardens?

The entrance to Calder Gardens, featuring Alexander Calder's “The Cock’s Comb” (1960)

Over a decade of planning and $100 million brought Alexander Calder's classic sculptures together with architects Herzog & de Meuron, who worked on Sotheby’s recently unveiled Breuer Building home, and Dutch garden designer Piet Oudolf. Set back from pathways that wind through 37,000 perennial flower buds and saplings, Philadelphia's new Calder Gardens include a structure sheathed in a giant mirror. But do Philadelphians see themselves in the reflection?

Read Isabella Segalovich's report

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Art Problems

Paddy Johnson answers the question: Am I too old to fit into the art world? Building a career in the arts gets harder as you get older, but it's nowhere near impossible.

Read the column


From Our Critics

Laura Owens, “Untitled” (1979) (photo Renée Reizman/Hyperallergic)

The 2025 California Biennial Is Trapped in the Past

The show's displays of juvenilia from established artists say little about adolescents today and make its message inscrutable. | Renée Reizman

Joseph Wright of Derby’s Candlelit World

Using an extreme form of chiaroscuro, Wright portrays the dramatic moment of intellectual or moral revelation in his paintings of scientific subjects. | Olivia McEwan

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Member Comment

John Hall on Ed Simon's "A Visual History of No Kings"

Another important, luminous essay by Mr. Simon!
Let the creation of a symbol for the revolution of the 21st-century begin!

From the Archive

Karen Finley reading a sext as part of her “Sext Me If You Can” project at the New Museum (image via the New Museum’s Facebook page)

The NEA Four Revisited: Karen Finley Talks Sexting

Of the four artists known by history as the NEA Four, Karen Finley is the one whose full name many people remember, even if they know little else about the situation that led to the artists’ lawsuit against the National Endowment for the Arts (NEA). | Alexis Clements