Whitney Biennial Artists Revealed

Also: The rise of anti-monarchical art, a First Amendment rally in New York City, a Brutalist icon in Dallas, and more.

Good morning. Yes, 2025 may have been a year of aesthetic monstrosities, from Labubus to low-rise jeans, but it also ushered in the renaissance of a much more transgressive and inspiring visual current: anti-monarchical art. Writer Ed Simon sees its rise not only in the No Kings movement, with its distinctly post-crown lexicon, but in a burgeoning collective — and cross-partisan — aversion to the abuse of power. Point in case: Even Republicans were sickened by President Trump's cruel, horrific rant against Rob Reiner, posted just hours after the film director and his wife, Michele Reiner, were found fatally stabbed in their home. Are we seeing glimpses of a new political awareness?

Yesterday I stood in New York City's Federal Hall, where the Bill of Rights was first proposed 234 years ago, listening to a series of beautiful speeches and performances about the importance of artistic freedom. At first, the "First Amendment Day Rally" struck me as disconnected from reality. Then high schooler Madison Lindo broke into song, her vocals soaring into the air, and I remembered what we're fighting for. There's no room for cynicism in the resistance.

Valentina Di Liscia, senior editor

News

Artist Samia Halaby (photo by Hector Retamal/AFP via Getty Images)
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New York Academy of Art: Bringing Traditional Skills to Contemporary Discourse

Tracing its roots to Andy Warhol, the Academy merges rigorous figurative training with critical discourse in the heart of New York City.

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Opinion

Unknown artist, "King Charles I" (c. late 17th–early 18th century) (photo public domain via Wikimedia Commons)

A Visual History of No Kings

From the destruction of King George III's statue to today's No Kings movement, resistance to tyranny has always demanded aesthetic subversion. | Ed Simon

The Sinister Plan to Demolish a Brutalist Icon in Dallas

Behind the spectacle of City Hall’s potential demolition is the transfer of funding away from the public and into a few extraordinarily wealthy hands. | Charissa Terranova

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The Gala-Salvador Dalí Foundation Launches Platform Dalí, a New Art and Science Program

Inspired by Dalí’s vision and his engagement with scientific work, this program seeks to explore the limits of knowledge and imagination through dialogue between art and science.

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Member Comment

Tom Finkelpearl on Damien Davis's "The Art School Debt Trap":

Great article. The debt burden folks accumulate at Yale, Columbia, Cal Arts, etc. is insane. But there are MFA programs that are not debt traps. Most students I know at CUNY get through with little or no bebt -- Hunter (my Alma Mater), Brooklyn College, Queens College. And the faculties are great. I think that the trap is elitism and prestige. If galleries & museums would look further than schools like Yale, students would follow and enroll in programs that will not doom them to a life of debt.

ICYMI

Installation view of Fate and Magic: The Art of Maureen McCabe at the Benton Museum of Art (photo Aaron Short/Hyperallergic)

In Maureen McCabe's Art, the Medium Is the Message

The artist takes a mystical, magical journey through America's supernatural past in a retrospective at the Benton Museum of Art. | Aaron Short

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U-M Stamps School of Art & Design – Roman J. Witt Residency Program
Open to established and emerging artists, this program awards one residency each academic year, offering a $20,000 honorarium, housing, studio space, and the University of Michigan’s renowned contemporary Institute for the Humanities gallery as an installation and project space. There is a $15 application fee. Read more on Hyperallergic.

Deadline: January 15, 2026 | stamps.umich.edu

From the Archive

Hanukkah lamp, Italy (19th century) (photo via the Jewish Museum)

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