Will Trump Ruin the Art Market?

The Smithsonian repatriates Indian bronzes, another NFT platform bites the dust, and was Michelangelo and Titian's rivalry real?

The Venn Diagram of Trump donors and art collectors has a bit more overlap than much of the art world cares to admit. The constituents of that overlap, who have likely remained untouched by the terror of MAGA policies, might find themselves in a bit of a pickle now.

International travelers from Visa Waiver nations — including France, Japan, the UK, and others — might soon be forced to surrender emails, social media history, private information, and more in order to visit the US. An extension of state surveillance and repression that has long terrorized immigrants, this proposal will also have dire consequences for the art market, argues art advisor Rob Fields.

What's an American art fair without the collectors who buy from it, or an exhibition without international loans? As I read his piece, I also wondered, more chillingly: What would an American art ecosystem beyond the market look like without the international artists, curators, and historians who people it?

Lakshmi Rivera Amin, associate editor


The 2024 Armory Show at the Javits Center (photo Hakim Bishara/Hyperallergic)

How Trump Is Jeopardizing the US Art Market

"If entering the United States suddenly requires surrendering your digital life and your family’s private information, how long before people simply choose not to come?" asks Fields in his piece about the implications of Trump's anti-immigration policies for American dominance in the global art market.


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Pratt Manhattan Gallery Presents “RugLife”

Sculptural carpets, woven works, and reimagined textiles by 14 contemporary artists examine housing, technology, social justice, and the environment.

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News

“Somaskanda” (Chola period, 12th century) Tamil Nadu state, India (image courtesy the National Museum of Asian Art)

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University of Notre Dame Offers Fully-Funded MFA With Generous Stipend

Notre Dame is accepting graduate applications for fall 2026 in Studio Art (Painting/Drawing, Photography, Ceramics, Sculpture) and Design (Industrial Design, Visual Communication Design).

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From Our Critics

Ingrid Hernández captures a home made with molded styrofoam used in package in an image from the Sedimentations series (2022–25). (photo by and courtesy Ingrid Hernández)

Ingrid Hernández Reveals Tijuana’s Hidden Beauty

Often seen as too American to be Mexican, too Mexican to be American, the city is presented by the artist as it is, not as anyone assumes it might be. | Carolina A. Miranda

Michelangelo and Titian’s Rivalry That May Never Have Been

William E. Wallace openly uses what he calls “informed imagination” to explore the relationship between the two masters in his new study. | Olivia McEwan


Member Comment

Sarah Gordon on Theo Downes-Le Guin's "Curating a Show on My Ineffable Mother, Ursula K. Le Guin":

I wish I could visit this exhibit. She's one of my writer heroes.

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In Memoriam

John H. Beyer, who founded the firm that restored Grand Central Terminal, died on January 10. (photo courtesy MTA Archive via Wikimedia Commons, CC BY 2.0)

Remembering John H. Beyer, Marian Goodman, and Chung Sang-hwa

An architect who mended our urban social fabric, a giant of the gallery world, and a groundbreaking Modernist are among the artists we honor this week.


From the Archive

Jay Renteria, "Santa Elena Canyon, US-México border” (2022), long-exposure digital photograph (image courtesy BorderPlex)

Art and Resistance Across the US-Mexico Borderlands

The Albuquerque exhibition and e-zine BorderPlex explores the deceptive simplicity of man-made boundaries — physical and social alike. | Samantha Anne Carrillo