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A collection of Anglo-European avant-garde and modernist magazines dating to the late 19th and early 20th centuries has been compiled by Monoskop. The effort follows in the footsteps of such projects as UbuWeb’s ‘Historical‘ section and the University of Iowa’s International Dada Archive, both initiatives highlighted in the introductory text prepared by Monoskop, an online wiki and archive.
The magazines range widely in format and subject matter, and in influence — “only a few journals had any significant impact outside the avant-garde circles in their time,” Monoskop writes. The decision to create the directory was motivated by the digital dereliction of some of these periodicals, which although digitized had languished in difficult-to-access corners of major institutional archives like the Bibliothèque Kandinsky at the Centre Pompidou in Paris and the New York Public Library.
By organizing these volumes in wiki format on Monoskop, and in some cases hosting the entire original image files, the website hopes to present “a reference guide” of use to “artists, writers and scholars alike.” And as our coverage of Monoskop’s digitization of Alan Riddell’s 1975 monograph on typewriter art showed, there is an eager audience for this kind of digital archival work, which may be secondary in its scope (these works have already been preserved in major institutions) but presents material that would otherwise remain unseen by all but the most dedicated of specialists.
Poussin and the Dance is a valiant attempt to break into Poussin’s staunchly academic oeuvre and provide a relatable point of entry, highlighting the exciting elements of revelry and movement despite impenetrable and unemotional rendering.
N.O. Bonzo’s illustrations, murals, and literature build on radical art traditions, addressing relations of labor and identity in local communities and protest movements.
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
With scavenged materials, Amanda Maciel Antunes constructs a motherland.
Where are the directors taking the stage to acknowledge workers’ demands today?
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
There is a debate whether the memory of Little Syria should be seized upon to tell truthful and positive stories about Arabs in the US, or whether any conflation between its history and contemporary politics is inappropriate.
The profile includes works by Egon Schiele, Amedeo Modigliani, Peter Paul Rubens, and a prehistoric Venus of Willendorf figurine.
These horrifying dolls definitely won’t murder you in your sleep.