Different views of the stained glass window created by Kiki Smith and Deborah Gans at the Eldridge Street Synagogue (photo by H.L.I.T., via Flickr)

Different views of the stained glass window created by Kiki Smith and Deborah Gans at the Eldridge Street Synagogue (photo by H.L.I.T./Flickr)

Although it’s an art form more associated with medieval cathedrals, there is stunning stained glass in New York City. Some of the most lustrous examples are found in museums — the Metropolitan Museum of Art’s “Autumn Landscape” (1923–24) by Tiffany Studios dazzles with its glimmering waterfall winding below fall trees; the Brooklyn Museum’s “Hospitalitas” (1906–07) by John La Farge has realistic depth in its depiction of a robed woman dropping flowers against a rich landscape of blue. The churches, synagogues, and spiritual spaces dotting the five boroughs also have illuminated masterpieces, including a 14th-century window on view in the Little Church Around the Corner in Murray Hill and Tiffany glass commemorating early settlers at Brooklyn’s Flatbush Reformed Dutch Church.

Alongside these highlights are lesser-known examples of historic and contemporary stained glass, out on public view if you know where to look.

Marc Chagall’s Peace Window

United Nations, East 46th Street and First Avenue, Manhattan

Stained glass window by Marc Chagall at the United Nations (photo by Mitchell_Center/Flickr)

The 51-foot wide, 12-foot high “Peace Window” by Marc Chagall at the United Nations was dedicated in 1964 as a memorial to Secretary-General Dag Hammarskjöld, who died with 15 others in a 1961 plane crash in Ndola, Zambia. Chagall designed the window to include tributes to Hammarskjöld, such as music symbols referencing a favored composition (Beethoven’s Ninth Symphony), along with swirling figures representing peace and love against an iridescent blue background. The window was restored in 2001, and is currently installed in the UN visitor lobby.

Detail of the Marc Chagall stained glass at the United Nations (photo by Mitchell_Center/Flickr)

Kiki Smith & Deborah Gans’s Star Window

Eldridge Street Museum, 12 Eldridge Street, Lower East Side, Manhattan

Window by Kiki Smith and Deborah Gans at the Eldridge Street Synagogue (photo by the author for Hyperallergic)

As part of an over-20-year restoration of the Eldridge Street Synagogue that turned it into the Museum at Eldridge Street, the empty circle overlooking the main hall needed to be filled. Problem was, there was no record of the 1887 synagogue’s original window. Instead, artist Kiki Smith and architect Deborah Gans designed a contemporary piece respecting the history and iconography of the oldest American house of worship for Eastern European Jews. Unveiled in 2010, the celestial window is made up of more than 1,200 glass pieces, with a Star of David at its center encircled by a blue vortex of yellow and black five-pointed stars.

Window by Kiki Smith and Deborah Gans at the Eldridge Street Synagogue (photo by the author for Hyperallergic)

City Hall Subway Station

Below Park Row and City Hall Park, Lower Manhattan

Glass ceiling in City Hall subway station (photo by Salim Virji/Wikimedia)

The skylights in the old City Hall subway station are more accurately leaded than stained glass, but they share a similar technique and are beautiful examples of early-20th-century design. The glass is joined by arching Guastavino tile ceilings and chandeliers, all abandoned since 1945, when the station’s short platforms rendered it obsolete. That means, unfortunately, that the glass windows are strictly off limits, unless you take the 6 train as it loops around from the new City Hall station or join a tour with the New York Transit Museum.

City Hall station in 2012 (photo by Julian Dunn/Wikimedia)

City Hall station under construction in the early 1900s (via Library of Congress)

Tiffany Clock at Grand Central Terminal

89 East 42nd Street, Midtown, Manhattan

The Tiffany clock on Grand Central Terminal (photo by the author for Hyperallergic)

Many know the central brass clock in Grand Central Terminal with its opal face, yet outside, overlooking 42nd Street, is the world’s largest Tiffany stained glass clock. The piece is 13 feet in circumference, with an image of the sun against a blue background and the hours represented in white Roman numerals. Surrounding the clock are statues by French sculpture Jules-Félix Coutan: Minerva and Hercules on either side and Mercury above, gesturing to the city. The group was unveiled in 1914, and recently a 12-year restoration project by Rohlf’s Stained & Leaded Glass Studio restored the original splendor of the timepiece — no small feat, as conservation required navigating narrow ladders and passages leading up to the clock from inside the train station.

The Tiffany clock on Grand Central Terminal (photo by the author for Hyperallergic)

The Elevated MTA Stations

Throughout the NYC Subway

Joseph D’Alesandro, “Homage” (2006) at the 219th Street station in the Bronx (photo by Jim Henderson/Wikimedia)

Art is scattered throughout the New York City subway system, facilitated by MTA Arts & Design, and this includes stained glass in many of the elevated stations of the Bronx and Queens. One of the last pieces created by Romare Bearden before his death in 1988 — the triptych “City of Glass” (1993) — is installed at Westchester Square-East Tremont Avenue.

Elsewhere in the Bronx, at Freeman Street on the 2 and 5 lines, Daniel Hauben created a faceted glass scene of a street with pedestrians and vendors underneath the elevated tracks. And in Queens, at 33 Street-Rawson Street on the 7, children’s book illustrator Yumi Heo has 30 faceted-glass panels in which the letters of the alphabet represent neighborhood places and themes, such as “A” for aqueduct and “D” for dragon boat races.

Béatrice Coron, “Bronx Literature” (2006) in the Burke Avenue station on the 5 line (photo by The All-Nite Images/Flickr)

Naomi Campbell, “Animal Tracks” (2004) in the West Farms Square-East Tremont Avenue station on the 5 line (photo by A. Strakey/Wikimedia)

Woodlawn Cemetery

517 E 233rd Street, The Bronx

Woodlawn Cemetery in the Bronx (photo by the author for Hyperallergic)

Many burial grounds have mausoleums with stained glass windows letting in light to the dead. However, Woodlawn Cemetery in the Bronx is almost unrivaled in the density of expertly crafted glasswork from the likes of Tiffany Studios and John La Farge. Anyone who rides the 4 train to the end of the line can stroll around the roughly 1,300 private mausoleums and take a look through the doors to see mourning angels, bucolic scenes, and religious tableaux just as stunning in execution as what you’d find in a museum. Although these private tombs are locked, except during sporadic cemetery tours, one of the giant Tiffany windows was recently on view in the Sylvan Cemetery exhibition at Columbia University.

Stained glass by John La Farge in Woodlawn Cemetery (photo by the author for Hyperallergic)

Stained glass in the Morosini Mausoleum in Woodlawn Cemetery (photo by the author for Hyperallergic)

John’s Pizzeria

260 West 44th Street, Theater District, Manhattan

Stained glass ceiling in John’s Pizzeria (photo by Mars Infomage/Flickr)

If you end your stained glass tour famished, swing by Times Square, and don’t judge John’s Pizzeria by its bland exterior. Inside is one of the most beautiful ceilings in all the city. The space on West 44th Street was once the Gospel Tabernacle Church, opened in 1888 and later abandoned and left to decay. It was revitalized as a pizza joint by entrepreneur Madeline Castellotti. The huge glass ceiling was preserved, and quietly survives as one of the city’s biggest.

Exterior of John’s Pizzeria (photo by John Wisniewski/Flickr)

Ceiling of John’s Pizzeria (photo by Art Bromage/Flickr)

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Allison Meier

Allison C. Meier is a former staff writer for Hyperallergic. Originally from Oklahoma, she has been covering visual culture and overlooked history for print...

7 replies on “From a Synagogue to a Pizzeria, an Alternative Tour of Stained Glass in NYC”

    1. Some pizzerias are like that… you have to bring your friends, get a whole pie and eat it sitting down right there, and only then can they or you cut it up. The way some of them make it, by-the-slice is unwieldy, and seriously, in this town,

      you can get dangerously distracted walking and eating pizza.


  1. You missed the amazing stained glass windows at the First Church of Christ Scientist on Central Park West and 96th St-made at the end of the 19th century in the same studios as LaFarge and Tiffany. Unfortunately the landmarked Carrere & Hastings Beaux-Arts church has been sold to a private developer to make condos and with the approval of the Landmarks Commission is planning massive changes to the exterior and removal of the main window credited to La Farge. The other magnificent windows are to be revised to remove “religious” iconography. A massive mistake! Making way for 39 luxury condos! Let them eat cake!

    1. Those sound lovely. I tried to focus on those that were at least somewhat accessible to the public, but there are many more out there!

      1. Please do take a look at them! They are really majestic, and at present can be seen from the street for who knows how much longer. The windows which you have captured here in your article are incredible! Your focus on this topic is so much appreciated, and way too little written about. We are losing so many very important historic landmarks complete with their stained glass in New York to the unbridled forces of the real estate industry for whom the history seems to be a disposable commodity. So heartened to see this!! And how beautifully done. I (and I’m sure others) will be sure to visit these gorgeous places. Thank you!

  2. “who died with 15 others in a 1961 plane crash in Ndola, Africa”

    Wait, Africa is a country?

    Ndola is in present-day Zambia, then known as Northern Rhodesia.

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