Today, we launch our first Hyperallergic Podcast, which will be a biweekly broadcast extending our mission to bring you playful, serious, and radical perspectives on art and culture in the world today.
Our first program visits Morocco for the sixth Marrakech Biennial, curated by Reem Fadda. We talk to the curator and artists, and capture some of the ideas brewing at this important exhibition, which explores the intersection of politics, diaspora, abstractions, and the Global South.
The Marrakech Biennale 6, Not New Now, continues at sites around Marrakesh through May 8.
The Hyperallergic Podcast is available on iTunes.
Editor’s note: The author’s lodging and travel expenses were paid for by the Marrakech Biennale.
How does a selective competition fit with the contemporary art world’s aspirations toward greater inclusivity?
Critical race theory, which has been attacked by conservative lawmakers, is conspicuously absent, as are many contemporary and living Black artists.
“Dignity of Earth and Sky,” unveiled in 2016, raises questions about who should depict Native people and how they should be portrayed.
In this online exhibition, Indigenous artists reclaim realities long denied them by US and Canadian federal governments — including moments of collective reverie.
At this year’s Sundance International Film Festival, more than half the feature-length movies were made by directors who identify as women.
In her novel Tell Me I’m an Artist, Chelsea Martin questions whether art offers a refuge from the world.
Ten artists will receive studio space and access to faculty, staff, students, workshops, and programming at an arts institution in the heart of Philadelphia.
The US government has lifted a Trump-era ban that kept formerly imprisoned people from accessing their works.
A work of art will be on the line when the Philadelphia Eagles play the Kansas City Chiefs this Sunday.
With two exhibitions at SoFi Stadium, the Kinsey African American Art & History Collection seeks to engage a different art audience.
The works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years.