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Welcome back to the Hyperallergic Podcast. In our latest episode, we continue on our mission to bring you playful, serious, and radical perspectives on art and culture in the world today.
This episode focuses on New York’s borough of Queens, which is becoming a growing hub of artistic activity in the city.
We talk to Tania Bruguera about her Immigrant Movement International project in Queens and her experience in Cuba, then we chat with artist Mariam Ghani about her commissioned mural at the Queen Museum, and finally we wander the Queens International biennial with director Laura Raicovich and guest co-curator Lindsey Berfond to discuss the exhibition’s themes of accumulation and globality.
Here are some images from Queens International at the Queens Museum:
TheQueens Internationalcontinues at the Queens Museum (New York City Building, Flushing Meadows Corona Park, Queens) until July 31.
“The impossibility of reforming Tony [Soprano] bears some resemblance to the crisis plaguing museums and toxic philanthropy today, where a culture of bullying and exploitation belies programming of socially- and politically-engaged art.”
As a critic, I’m dying to make a meta-critique of the ways my communities are represented on screen.
Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
Frey ponders why she felt comfort in television and film content that intellectuals often take pride in dismissing.
What does Rutherford Falls, a new TV series that prominently features two small town museums, tell us about the way people see the contentious stories on display in history and art institutions?
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.