A few weeks ago my husband and I visited the Santuario de Misericordia in Borja, Spain, home to the infamous “Monkey Jesus.” I can’t really claim that it was our love of art that took us there, though painting was involved.
In the summer of 2012, without oversight, the 79-year-old hobby painter Cecilia Giménez Zueco transformed Elías García Martínez’s deteriorating “Ecce Homo” fresco into “Monkey Jesus,” aka “Beast Jesus.” Virtually overnight, Giménez’s botched restoration became a worldwide internet sensation.
Instead of trying to restore the restoration, the people behind the Santuario de Misericordia decided to make Giménez’s bizarre creation work in their favor — something they may have learned from the wise people of Pisa, who never tried to straighten their famous tower. They even went one better: For 15 minutes, we could all be Borja’s famous “Monkey Jesus”!
Today the Santuario houses a permanent exhibition on the artwork’s provenance and several do-it-yourself opportunities. And for those who aren’t much into painting and photography, the gift shop offers plenty of buy-it-yourself options.
For roughly half an hour, art collectors had to consider a world in which they didn’t get that Alex Katz work.
From art fairs to alternative spaces that may not be on your radar, here’s a run-down of what to see (and eat and sip) in Miami. No NFTs, we promise.
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SCAD’s booth at Design Miami/ features glazed tiles by alumi artists Nicolas Barrera, Lauren Clay, Gonzalo Hernandez, Cory Imig, Abel Macias, and Nikita Nagpal.
Ghenie’s paintings of Marilyn Monroe are a relentless representation of a howling, turbulent tragedy, a face broken into crude sideways slewings and gougings and gorgings of paint.
Suzanne Jackson’s paintings come to life, and find their way home, at the Arts Club of Chicago.
Join the New-York Historical Society on December 9 for a virtual conversation with Kellie Jones, Rujeko Hockley, and Cameron Shaw on the past, present, and future of Black art in the US.
The exhibition sold the highest number of tickets in its 127-year history.
What feels like the right way to write about Roman Catholicism, or Christian iconography, to most art critics is heavily influenced by museum discourse, which is far from neutral.
The unique MFASA at the Institute of American Indian Arts offers mentorships with world-renowned Indigenous artists, flexible schedules, and access to one of the US’s cultural capitals.
A group exhibition at the Americas Society investigates ideas of paradise, approaching the Caribbean region as a product of the visitor economy regime.
Visual artists who incorporate psychedelics into their practices maintain a foundational understanding that there is more to reality than meets the eye.