Fred Wilson, “Love and Loss in the Milky Way” (2005), 1 table with 47 milk glass elements; 1 plaster bust; 1 plaster head; 1 standing woman and a ceramic cookie jar, 77-3/4 x 92 x 43-7/8 inches (© Fred Wilson, courtesy Pace Gallery. Photograph by Kerry Ryan McFate, courtesy Pace Gallery)

Conceptual artist Fred Wilson is primarily known for rearranging art and artifacts in museum collections to reveal the difficult topics in our culture and society that are frequently overlooked. A 1999 John D. and Catherine T. MacArthur (genius) Grant Award winner, Wilson gained critical acclaim in the early 1990s with the seminal exhibition Mining the Museum, in which he placed a whipping post in a gallery and encircled it with four ornate chairs — all from the permanent collection of the Maryland Historical Society.

Now, Wilson, who earned his B.F.A. with Purchase College’s first graduating class in 1976, is turning his eyes to his own alma mater. His show at the Neuberger Museum of Art, located on the Purchase campus, includes a survey of the artist’s work from 1995 to the present, featuring 76 pieces of his studio work. The exhibition, Fred Wilson, on view from March 19 to July 30, 2017, includes three new works by Wilson that have not been exhibited publicly before, and a site-specific installation that recontextualizes 39 works from the Museum’s and the College’s collections to create an “artistic intervention” that subtly explores hidden agendas and how power is perpetuated by society’s institutions. The installation includes a display of a couple of Wilson’s own “collection projects,” put together over the artist’s career. This is the first time Wilson has exhibited together his studio work, a museum intervention, and collection projects within a museum context.

Neuberger Museum of Art
735 Anderson Hill Road
Purchase, NY 10577

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