The Institute of Contemporary Art at Maine College of Art is pleased to announce American Genre: Contemporary Painting curated by artist, writer, and curator Michelle Grabner.
American Genre: Contemporary Painting is an exhibition built on a triad of traditional painting genres: still life, landscape, and portraiture. Fifty-two paintings by fifty-two American artists offers a critical balance to the conditions of atemporality, affected responses, and the material turn shaping much of contemporary painting discourse. Alternatively, this exhibition employs historically recognized groupings of subject and forms.
Still Life: Gina Beavers, Dana DeGiulio, Wendy Edwards, Francesca Fuchs, Hope Gangloff, Evan Gruzis, Angelina Gualdoni, Magalie Guerin, Jessica Halonen, Jonn Herschend, Tucker Nichols, Aliza Nisenbaum, Walter Robinson, Roger White, Griff Williams, Kelly S. Williams, Emi Winter, and Mathew Zefeldt.
Portraiture: Herman Aguirre, Lucas Ajemian, Deborah Brown, Kristin Calabrese, Brian Calvin, Susanna Coffey, Angela Dufresne, Andreas Fischer, Howard Fonda, Richard Hull, José Lerma, Keith Mayerson, Frank J. Stockton, Henry Taylor, Storm Tharp, and Kehinde Wiley.
Landscape: Dan Attoe, Peter Barrickman, Amy Bennett, Michael Berryhill, Patrick Chamberlain, Ann Craven, Paula Crown, Cynthia Daignault, Rackstraw Downes, Mari Eastman, Shara Hughes, Brad Killam, Eva Lundsager, Tyson Reeder, John Riepenhoff, Claire Sherman, Gail Spaien, Spencer Sweeney, and Emily Sundblad.
The exhibition will close with a one-day symposium featuring a panel discussion moderated by Barry Schwabsky on September 15, 2017.
An opening reception will be held on Thursday, July 20, between 5-8pm.
For more information or to request an interview, visit meca.edu/ica.
American Genre: Contemporary Painting continues at Maine College of Art (522 Congress Street, Portland, Maine) through September 15.
From music and architecture to comedy and horror, these films showcase Ukrainian culture and its long-held ethos of resistance.
A new exhibition focuses on Hesse’s works on paper, and the way they demonstrate the role of drawing in the famed sculptor’s process.
Part of the university’s Artists on the Future series featuring renowned artists and cultural thought leaders, this online event is free and open to the public.
The artists showcased in Archival Intimacies examine the colonial trauma’s impact on Asian Americans and search for ways to overcome it.
Eiffel inadvertently paints its protagonist not as a great man worthy of scrutiny or praise, but as the Elon Musk of his day.
This illustrated guide offers readers a broad and accessible introduction to the evolution of Armenian modern and contemporary art.
The fire-resistant copy will be auctioned to raise funds for PEN America.
Funded projects include an exhibition of contemporary and historical retablos and a residency that pairs glass artists with creators in other mediums.
This rigorous, studio-based program in Philadelphia focuses on building unique studio practices that synthesize the disciplines of printmaking, book arts, and papermaking.
Bonhams paused the sale of the rare garment, which was expected to fetch $1.2 million.
Now playing the Cannes Film Festival, the new film from the director of The Square embarks on a luxury cruise that goes to hell.
By enshrining her memories into sculptural form, Juárez celebrates her emotional pilgrimage through the growing pains of childhood to adulthood.