De nuevo en España se vuelve a destrozar una obra de arte. Esta imagen es de San Jorge y del siglo XVI de San Miguel de Estella (Navarra). Curioso que los jefes contraten a semejantes restauradores, a lo mejor se tendrían que restaurar los jefes que los contratan ¿No? pic.twitter.com/G9iyLidgPr
— Xavi Escaned (@escaned) June 26, 2018
Beast Jesus may have single-handedly saved the Spanish town of Borja, but now another municipality in northeastern Spain is grappling with a similarly disastrous (and viral) restoration debacle. A 16th-century polychromed equestrian statue of Saint George slaying the dragon has been painted in bold hues more befitting a comic book by a well-meaning crafts teacher in the small city of Estella, which sits about 130 kilometers north of Borja.
The wooden statue is housed in the town’s St. Michael’s Church. Before-and-after photo comparisons show a badly damaged but tonally subtle and complex sculpture that has been updated with a cartoonish palette. The makeover has not only changed the facial expression of Saint George to a kind of dumbfounded stare, but also obliterated many of the details in his ornate armor, which now resembles that of a toy knight.
— Juank (@JCSura) June 26, 2018
“The parish decided on its own to take action to restore the statue and gave the job to a local handicrafts teacher. The council wasn’t told and neither was the regional government of Navarre,” Estella’s mayor, Koldo Leoz, told the Guardian. “It’s not been the kind of restoration that it should have been for this 16th-century statue. They’ve used plaster and the wrong kind of paint and it’s possible that the original layers of paint have been lost.” On Monday, the mayor tweeted a photo of a newspaper article about the botched restoration, commenting: “Today, Estella isn’t in the news because of its spectacular historical, artistic, architectural, or cultural heritage.”
Hoy #Estella #Lizarra no es noticia por su espectacular patrimonio histórico, artístico, arquitectónico y cultural en general, lo es por una desgraciada actuación en una talla de San Jorge del siglo XVI que se encuentra en uno de los imponentes templos religiosos de la ciudad pic.twitter.com/EYf8IwTdQp
— KoldoLeozGarciandia (@koldinni) June 25, 2018
Spain’s national organization of professional art restorers (ACRE) has been even more adamant in its criticism of the restoration. “We cannot tolerate more attacks on our cultural heritage,” the group said in an official statement. Local art restorer Carmen Usúa, the owner of ArtUs Restauración, told the New York Times: “As a professional, I feel disconcerted and very offended. It takes years to acquire the skills necessary to carry out these kind of restorations, so imagine the frustration when something like this happens.”
Others, meanwhile, see the humor in the statue’s radical transformation and its potential draw as a tourist attraction. Estella’s tourism office has been enthusiastically tweeting various stories about the viral statute, as has the tourism agency for the region of Navarre.
La polémica imagen sigue dando de qué hablar… https://t.co/3sBMZCrN60
¿Habrá vuelta atrás?: la talla de San Jorge será trasladada a Patrimonio Histórico para valorar su recuperación#EstellaLizarra #TurismoEstella #Estella #Lizarra #TurismoNavarra @TurismoNavarra
— TurismoRural Navarra (@Turismo_Navarra) June 28, 2018
Internet users, meanwhile, seem most divided on the question of whether the restored statue more closely resembles the famous Belgian comic book character Tintin, a Disney character, a Playmobil figure, or the British comedian Marty Feldman.
— B Krypt (@librosnegros) June 23, 2018
Disney también está comprando a los ecce homo. Por ahora tiene ya a San Jorge de la Estrella y lo ha restaurado. pic.twitter.com/rnApW1hJ5D
— Las crónicas de Deckard (@cronicasdeckard) June 26, 2018
El “restaurador” del San Jorge es fan de Marty Feldman. pic.twitter.com/xLGRiPXcm7
— Osa Licenciosa (@OsaLicenciosa) June 24, 2018
ARTE: Encargan a Playmobil la restauración de la restauración del San Jorge de Estella. pic.twitter.com/5BMiDgOrap
(@okdiarrea) June 26, 2018
As arts communities around the world experience a time of challenge and change, accessible, independent reporting on these developments is more important than ever.
Please consider supporting our journalism, and help keep our independent reporting free and accessible to all.