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Artist Susan Unterberg kept her secret for 22 years, but after an article in the New York Times came out last month, everyone knows the New York-based artist is the person behind the mysterious foundation.
Called Anonymous Was a Woman, the foundation gives $25,000 in unrestricted grants to female artists over the age of 40. I spoke to recipient Nene Humphrey about the impact the gift made on her life, and then Unterberg herself.
Then I invite critic Zachary Small to talk about a knock-out small show at the Metropolitan Museum of Art, On the Ropes: Vintage Boxing Cards from the Jefferson R. Burdick Collection, that he thinks deserves a careful look.
A special thanks to Miserable Chillers & Sun Kin for the music to this week’s episode, which features their latest album, Adoration Room. You can listen to that and more at miserablechillers.bandcamp.com and other streaming services.
Poussin and the Dance is a valiant attempt to break into Poussin’s staunchly academic oeuvre and provide a relatable point of entry, highlighting the exciting elements of revelry and movement despite impenetrable and unemotional rendering.
Anarchist illustrator N.O. Bonzo produces decentralized media in a highly bureaucratic cultural landscape. Their illustrations, murals, and literature emerge in unexpected places, from the streets of Portland, Oregon, to the far ends of Reddit and Twitter, addressing relations of labor and identity in the workplace and on the streets. Growth and care are central themes…
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
With scavenged materials, Amanda Maciel Antunes constructs a motherland.
Where are the directors taking the stage to acknowledge workers’ demands today?
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
There is a debate whether the memory of Little Syria should be seized upon to tell truthful and positive stories about Arabs in the US, or whether any conflation between its history and contemporary politics is inappropriate.
The profile includes works by Egon Schiele, Amedeo Modigliani, Peter Paul Rubens, and a prehistoric Venus of Willendorf figurine.
These horrifying dolls definitely won’t murder you in your sleep.