A collection of digitalized busts (screenshot of the Uffizi Digitization Project)

Old Masters enthusiasts will now be able to pore through the expansive collection of the Uffizi Gallery in Florence, Italy from the comfort of their own home. Thanks to a collaboration between the eminent Italian gallery and Indiana University (IU), a collection of over 300 digitized ancient sculptures and fragments are available as interactive three-dimensional scans. The website was unveiled last Tuesday, August 7, to an eager public.

The Uffizi Digitization Project was undertaken by the Virtual World Heritage Laboratory in the Indiana University School of Informatics and Computing, collaborating with the Politecnico di Milano and the University of Florence. They intend to digitize the complete collection of Greek and Roman sculpture in the Uffizi, Pitti Palace, and Boboli Gardens, a collection largely assembled by the Medici family between the 15th and 18th centuries. The venture was announced in 2016, and the endeavor will span five years as digitization continues. The institutions say they are about halfway complete, planning to finish the project in 2020.

“Sabina,” 2nd century CE (screenshot of the Uffizi Digitization Project)

The operating team includes a group of IU informatics and art history students, being trained in 3D data capture, digital modeling, and interactive online publication. The group was led by Bernard Frischer, IU professor of informatics and director of the university’s Virtual World Heritage Laboratory, with fundamental assistance from Politecnico di Milano professor Gabriele Guidi.

In a press statement released by Indiana University, Frischer, a renowned visual archaeologist, says, “We have already digitized more works of classical sculpture than has ever been done in a single museum.” He comments on the impressive quality of the students’ work, “this has led to invitations to undertake new projects of digitization at the Getty Villa in Malibu, Palazzo Altemps in Rome and the National Archaeological Museum of Naples.”

The genuinely easy-to-navigate website proves more interactive than many computerized museum archives. Users are given the opportunity to travel inside tombs and inside every nook of the figures’ construction. The interface allows users to travel around and within the sculptures, getting closer than visitors often can in the museum space itself thanks to three-dimensional rendering from every imaginable angle.

Sandro Botticelli, “The Birth of Venus” (1444 or 1445–1510) (courtesy Museum of Fine Arts, Boston)

The monumental Uffizi Gallery, built between 1560 and 1580 and designed by Giorgio Vasari, boasts an enormous collection of Renaissance and ancient artworks. It currently hosts the famous “Birth of Venus”  by Sandro Botticelli, and “Madonna of the Goldfinch” by Raffaello Sanzio, among other world-renowned masterpieces by artists like Caravaggio, Michelangelo, and Raphael.

The digitization took place in the Uffizi and in their warehouse at Villa Corsini. IU’s participation was funded by the Office of the Vice President for Research as part of its New Frontiers in the Arts and Humanities program, which “supports IU faculty who are in the initial stages of path-breaking and transformative scholarly investigation or creative activity.”

IU Vice President for Research Fred H. Cate said at the website’s launch at the Uffizi, “Not only does the website offer first-of-its-kind opportunities to a broad audience, ranging from scholars and museum professionals to students and the general public, but we’re creating a replicable model for other museums and institutions to use in digitizing their own collections.”

Watch a screen recording of Hyperallergic’s exploration of the site:

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Jasmine Weber

Jasmine Weber is an artist, writer, and former news editor at Hyperallergic. Follow her on Instagram and

4 replies on “Uffizi Gallery’s Vast Sculpture Collection Goes Online in Interactive 3D Scans”

  1. This is a great project! I love the Uffizi Gallery, having this digitization will allow for so many more people to enjoy some of the masterpieces within it.

    1. I would say that even if they are downloadable, that might not mean the models will be made Public Domain or Open Source accessible, in many instances of digitization of ancient works the person digitizing or creating the models retains rights…

  2. Great project! but please correct the name of the Politecnico di Milano professor Garbiele Guidi to
    GABRIELE Guidi. Thanks!

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